In the period that followed I was continually to be invited, were it with a small party only, to these repasts at which I had at one time imagined the guests as seated like the Apostles in the Sainte-Chapelle. They did assemble there indeed, like the early Christians, not to partake merely of a material nourishment, which incidentally was exquisite, but in a sort of social Eucharist; so that in the course of a few dinner-parties I assimilated the acquaintance of all the friends of my hosts, friends to whom they presented me with a shade of benevolent patronage so marked (as a person for whom they had always had a sort of parental affection) that there was not one among them who would not have felt himself to be failing in his duty to the Duke and Duchess if he had given a ball without including my name on his list, and at the same time, while I sipped one of those Yquems which lay concealed in the Guermantes cellars, I tasted ortolans dressed according to each of the different recipes which the Duke himself used to elaborate and modified with prudence. However, for one who had already set his knees more than once beneath the mystic board, the consumption of the latter was not indispensable. Old friends of M. and Mme. de Guermantes came in to see them after dinner, “with the toothpicks,” as Mme. Swann would have said, without being expected, and took in winter a cup of tilleul in the lighted warmth of the great drawing-room, in summer a glass of orangeade in the darkness of the little rectangular strip of garden outside. There was no record of anything else, among the Guermantes, in these evenings in the garden, but orangeade. It had a sort of ritual meaning. To have added other refreshments would have seemed to be falsifying the tradition, just as a big at-home in the Faubourg Saint-Germain ceases to be an at-home if there is a play also, or music. You must be supposed to have come simply—though there be five hundred of you—to pay a call on, let us say, the Princesse de Guermantes. People marvelled at my influence because I was able to procure the addition to this orangeade of a jug containing the juice of stewed cherries or stewed pears. I took a dislike on this account to the Prince d’Agrigente, who was like all the people who, lacking in imagination but not in covetousness, take a keen interest in what one is drinking and ask if they may taste a little of it themselves. Which meant that, every time, M. d’Agrigente, by diminishing my ration, spoiled my pleasure. For this fruit juice can never be provided in sufficient quantities to quench one’s thirst for it. Nothing is less cloying than these transpositions into flavour of the colour of a fruit which when cooked seems to have travelled backwards to the past season of its blossoming. Blushing like an orchard in spring, or, it may be, colourless and cool like the zephyr beneath the fruit-trees, the juice lets itself be breathed and gazed into one drop by drop, and M. d’Agrigente prevented me, regularly, from taking my fill of it. Despite these distillations the traditional orangeade persisted like the tilleul. In these humble kinds, the social communion was none the less administered. In this respect, doubtless, the friends of M. and Mme. de Guermantes had, after all, as I had originally imagined, remained more different from the rest of humanity than their outward appearance might have misled me into supposing. Numbers of elderly men came to receive from the Duchess, together with the invariable drink, a welcome that was often far from cordial. Now this could not have been due to snobbishness, they themselves being of a rank to which there was none superior; nor to love of splendour; they did love it perhaps, but on less stringent social conditions might have been enjoying a glittering example of it, for on these same evenings the charming wife of a colossally rich financier would have given anything in the world to have them among the brilliant shooting-party she was giving for a couple of days for the King of Spain. They had nevertheless declined her invitation, and had come round without fail to inquire whether Mme. de Guermantes was at home. They were not even certain of finding there opinions that conformed entirely with their own, or sentiments of any great warmth; Mme. de Guermantes let fall now and then, on the Dreyfus Case, on the Republic, the Laws against Religion, or even in an undertone on themselves, their weaknesses, the dullness of their conversation, comments which they had to appear not to notice. No doubt, if they kept up their habit of coming there, it was owing to their superfine training as epicures in things worldly, to their clear consciousness of the prime and perfect quality of the social dish, with its familiar, reassuring, sappy savour, free from blend or taint, with the origin and history of which they were as well aware as she who served them with it, remaining more “noble” in this respect than they themselves imagined. Now, on this occasion, among the visitors to whom I was introduced after dinner, it so happened that there was that General de Monserfeuil of whom the Princesse de Parme had been speaking, while Mme. de Guermantes, of whose drawing-room he was one of the regular frequenters, had not known that he was going to be there that evening. He bowed before me, on hearing my name, as though I had been the President of the Supreme War Council. I had supposed it to be simply from some deep-rooted unwillingness to oblige, in which the Duke, as in wit if not in love, was his wife’s accomplice, that the Duchess had practically refused to recommend her nephew to M. de Monserfeuil. And I saw in this an indifference all the more blameworthy in that I seemed to have gathered from a few words let fall by the Princess that Robert was in a post of danger from which it would be prudent to have him removed. But it was by the genuine malice of Mme. de Guermantes that I was revolted when, the Princesse de Parme having timidly suggested that she might say something herself and on her own responsibility to the General, the Duchess did everything in her power to dissuade her. “But Ma’am,” she cried, “Monserfeuil has no sort of standing or influence whatever with the new Government. You would be wasting your breath.” “I think he can hear us,” murmured the Princess, as a hint to the Duchess not to speak so loud. Without lowering her voice: “Your Highness need not be afraid, he’s as deaf as a post,” said the Duchess, every word reaching the General distinctly. “The thing is, I believe M. de Saint-Loup is in a place that is not very safe,” said the Princess. “What is one to do?” replied the Duchess. “He’s in the same boat as everybody else, the only difference being that it was he who originally asked to be sent there. Besides, no, it’s not really dangerous; if it was, you can imagine how anxious I should be to help. I should have spoken to Saint-Joseph about it during dinner. He has far more influence, and he’s a real worker. But, as you see, he’s gone now. Still, asking him would be less awkward than going to this one, who has three of his sons in Morocco just now and has refused to apply for them to be exchanged; he might raise that as an objection. Since your Highness insists on it, I shall speak to Saint-Joseph—if I see him again, or to Beautreillis. But if I don’t see either of them, you mustn’t waste your pity on Robert. It was explained to us the other day exactly where he is. I’m sure he couldn’t wish for a better place.”
“What a pretty flower, I’ve never seen one like it; there’s no one like you, Oriane, for having such marvellous things in your house,” said the Princess de Parme, who, fearing that General de Monserfeuil might have overheard the Duchess, sought now to change the conversation. I looked and recognised a plant of the sort that I had watched Elstir painting. “I am so glad you like them; they are charming, do look at their little purple velvet collars; the only thing against them is—as may happen with people who are very pretty and very nicely dressed—they have a hideous name and a horrid smell. In spite of which I am very fond of them. But what is rather sad is that they are dying.” “But they’re growing in a pot, they aren’t cut flowers,” said the Princess. “No,” answered the Duchess with a smile, “but it comes to the same thing, as they’re all ladies. It’s a kind of plant where the ladies and the gentlemen don’t both grow on the same stalk. I’m like people who keep a lady dog. I have to find a husband for my flowers. Otherwise I shan’t have any young ones!” “How very strange. Do you mean to say that in nature … ?” “Yes! There are certain insects whose duty it is to bring about the marriage, as they do with Sovereigns, by proxy, without the bride and bridegroom ever having set eyes on one another. And so, I assure you, I always tell my man to put my plant out in the window as often as possible, on the courtyard side and the garden side turn about, in the hope that the necessary insect will arrive. But the odds are too great. Fancy, he has first to have been seen by a person of the same species and the opposite sex, and he must then have taken it into his head to come and leave cards at the house. He hasn’t appeared so far, I believe my plant can still qualify for the white flower of a blameless life, but I must say a little immodesty would please me better. It’s just the same with that fine tree we have in the courtyard; he will die childless because he belongs to a kind that’s very rare in these latitudes. In his case, it’s the wind that’s responsible for consummating the marriage, but the wall is a trifle high.” “By Jove, yes,” said M. de Bréauté, “you ought to take just a couple of inches off the top, that will be quite enough. There are certain operations one ought to know how to perform. The flavour of vanilla we tasted in the excellent ice you gave us this evening, Duchess, comes from a plant called the vanilla tree. This plant produces flowers which are both male and female, but a sort of solid wall set up between them prevents any communication. And so we could never get any fruit from them until a young Negro, a native of Réunion, by the name of Albins, which by the way is rather an odd name for a black man since it means ‘white,’ had the happy thought of using the point of a needle to bring the separate organs into contact.” “Babal, you’re divine, you know everything,” cried the Duchess. “But you yourself, Oriane, have told me things I had no idea of,” the Princesse de Parme assured her. “I must explain to your Highness that it is Swann who has always talked to me all about botany. Sometimes when we were too bored to go to a tea-party or a concert we would set off for the country, and he would show me extraordinary marriages between flowers, which was far more amusing than going to human marriages—no wedding-breakfast and no crowd in the sacristy. We never had time to go very far. Now that motorcars have come in, it would be delightful. Unfortunately, in the interval he himself has made an even more astonishing marriage, which makes everything very difficult. Oh, Ma’am, life is a dreadful business, we spend our whole time doing things that bore us, and when by mere chance we come across somebody with whom we could go and look at something really interesting, he has to make a marriage like Swann’s. Faced with the alternatives of giving up my botanical expeditions and being obliged to call upon a degrading person, I chose the former calamity. Besides, when it comes to that, there was no need to go quite so far. It seems that here, in my own little bit of garden, more odd things happen in broad daylight than at midnight—in the Bois de Boulogne! Only they attract no attention, because among flowers it’s all done quite simply, you see a little orange shower, or else a very dusty fly coming to wipe its feet or take a bath before crawling into a flower. And that does the trick!” “The cabinet the plant is standing on is splendid, too; it’s Empire, I think,” said the Princess, who, not being familiar with the works of Darwin and his followers, was unable to grasp the point of the Duchess’s pleasantries. “It’s lovely, isn’t it? I’m so glad Ma’am likes it,” replied the Duchess, “it’s a magnificent piece. I must tell you that I’ve always adored the Empire style, even when it wasn’t in fashion. I remember at Guermantes I got into terrible disgrace with my mother-in-law because I told them to bring down from the attics all the splendid Empire furniture Basin had inherited from the Montesquious, and used it to furnish the wing we lived in.” M. de Guermantes smiled. He must nevertheless have remembered that the course of events had been totally different. But, the witticisms of the Princesse des Laumes at the expense of her mother-in-law’s bad taste having been a tradition during the short time in which the Prince was in love with his wife, his love for the latter had been outlasted by a certain contempt for the intellectual inferiority of the former, a contempt which, however, went hand in hand with a considerable attachment and respect. “The Iénas have the same armchair with Wedgwood medallions, it’s a lovely thing, but I prefer my own;” said the Duchess, with the same air of impartiality as if she had been the possessor of neither of the articles under discussion. “I know, of course, that they’ve some marvellous things which I haven’t got.” The Princesse de Parme remained silent. “But it’s quite true; your Highness hasn’t seen their collection. Oh, you ought really to come there one day with me, it’s one of the most magnificent things in Paris. You’d say it was a museum come to life.” And since this suggestion was one of the most “Guermantes” of the Duchess’s audacities, inasmuch as the Iénas were for the Princesse de Parme rank usurpers, their son bearing like her own the title of Duc de Guastalla, Mme. de Guermantes in thus launching it could not refrain (so far did the love that she bore for her own originality prevail over the deference due to the Princess de Parme) from casting at her other guests a smiling glance of amusement. They too made an effort to smile, at once frightened, bewildered, and above all delighted to think that they were being ear-witnesses of Oriane’s very “latest” and could carry it away with them “red hot.” They were only half shocked, knowing that the Duchess had the knack of strewing the ground with all the Courvoisier prejudices to achieve a vital success more thrilling and more enjoyable. Had she not, within the last few years, brought together Princesse Mathilde and that Duc d’Aumale who had written to the Princess’s own brother the famous letter: “In my family all the men are brave and the women chaste”? And inasmuch as Princes remain princely even at those moments when they appear anxious to forget that they are, the Duc d’Aumale and Princesse Mathilde had enjoyed themselves so greatly at Mme. de Guermantes’s that they had thereafter formed a defensive alliance, with that faculty for forgetting the past which Louis XVIII showed when he took as his Minister Fouché, who had voted the death of his brother. Mme. de Guermantes was now nourishing a similar project of arranging a meeting between Princesse Murat and the Queen of Naples. In the meantime, the Princesse de Parme appeared as embarrassed as might have been the heirs-apparent to the Thrones of the Netherlands and Belgium, styled respectively Prince of Orange and Duke of Brabant, had one offered to present to them M. de Mailly Nesle, Prince d’Orange, and M. de Charlus, Duc de Brabant. But, before anything further could happen, the Duchess, whom Swann and M. de Charlus between them (albeit the latter was resolute in ignoring the Iénas’ existence) had with great difficulty succeeded in making admire the Empire style, exclaimed: “Honestly, Ma’am, I can’t tell you how beautiful you will think it! I must confess that the Empire style has always had a fascination for me. But at the Iénas’ it is really like a hallucination. That sort of—what shall I say—reflux from the Expedition to Egypt, and also the sweep forward into our own times from Antiquity, all those things that invade our houses, the Sphinxes that come to crouch at the feet of the sofas, the serpents coiled round candelabra, a huge Muse who holds out a little torch for you to play at bouillotte, or has quietly climbed on to the mantelpiece and is leaning against your clock; and then all the Pompeian lamps, the little boat-shaped beds which look as if they had been found floating on the Nile so that you expect to see Moses climb out of them, the classical chariots galloping along the bed tables. …” “They’re not very comfortable to sit in, those Empire chairs,” the Princess ventured. “No,” the Duchess agreed, “but,” she at once added, insisting on the point with a smile: “I like being uncomfortable on those mahogany seats covered with ruby velvet or green silk. I like that discomfort of the warrior who understands nothing but the curule chair and in the middle of his principal drawing-room crosses his fasces and piles his laurels. I can assure you that at the Iénas’ one doesn’t stop to think for a moment of how comfortable one is, when one sees in front of one a great strapping wench of a Victory painted in fresco on the wall. My husband is going to say that I’m a very bad Royalist, but I’m terribly disaffected, as you know, I can assure you that in those people’s house one comes to love all the big N’s and all the bees. Good gracious, after all for a good many years under our Kings we weren’t exactly surfeited with glory, and so these warriors who brought home so many crowns that they stuck them even on the arms of the chairs, I must say I think it’s all rather fetching! Your Highness ought really.” “Why, my dear, if you think so,” said the Princess, “but it seems to me that it won’t be easy.” “But Ma’am will find that it will all go quite smoothly. They are very good people, and no fools. We took Mme. de Chevreuse there,” added the Duchess, knowing the force of this example, “she was enchanted. The son is really very pleasant. I’m going to say something that’s not quite proper,” she went on, “but he has a bedroom, and more especially a bed in it, in which I should love to sleep—without him! What is even less proper is that I went to see him once when he was ill and lying in it. By his side on the frame of the bed was moulded a long Siren, stretched out at full length, a lovely thing with a mother-of-pearl tail and some sort of lotus flowers in her hand. I assure you,” went on Mme. de Guermantes, reducing the speed of her utterances to bring into even bolder relief the words which she had the air of modelling with the pout of her fine lips, drawing them out with her long expressive hands, directing on the Princess as she spoke a gentle, steady and searching gaze, “that with the palms and the golden crown at the side of it was most moving, it was just the arrangement of Gustave Moreau’s Death and the Young Man (your Highness must know that great work, of course).” The Princesse de Parme, who did not know so much as the painter’s name, made violent movements with her head and smiled ardently, in order to manifest her admiration for his picture. But the intensity of her mimicry could not fill the place of that light which is absent from our eyes so long as we do not understand what people are trying to tell us. “A good-looking boy, I believe?” she asked. “No, for he’s just like a tapir. The eyes are a little those of a Queen Hortense on a screen. But he has probably come to the conclusion that it is rather absurd for a man to develop such a resemblance, and it is lost in the encaustic surface of his cheeks which give him really rather a Mameluke appearance. You feel that the polisher must call round every morning. Swann,” she went on, reverting to the bed of the young Duke, “was struck by the resemblance between this Siren and Gustave Moreau’s Death. But apart from that,” she added, her speech becoming more rapid though still serious, so as to provoke more laughter, “there was nothing really that could strike us, for it was only a cold in the head, and the young man made a marvellous recovery.” “They say he’s a snob?” put in M. de Bréauté, with a malicious twinkle, expecting to be answered with the same precision as though he had said: “They tell me that he has only four fingers on his right hand; is that so?” “G—ood g—racious, n—o,” replied Mme. de Guermantes with a smile of benign indulgence. “Perhaps just the least little bit of a snob in appearance, because he’s extremely young, but I should be surprised to hear that he was really, for he’s intelligent,” she added, as though there were to her mind some absolute incompatibility between snobbishness and intelligence. “He has wit, too, I’ve known him be quite amusing,” she said again, laughing with the air of an epicure and expert, as though the act of declaring that a person could be amusing demanded a certain expression of merriment from the speaker, or as though the Duc de Guastalla’s sallies were recurring to her mind as she spoke. “Anyway, as he never goes anywhere, he can’t have much field for his snobbishness,” she wound up, forgetting that this was hardly encouraging the Princesse de Parme to make overtures. “I cannot help wondering what the Prince de Guermantes, who calls her Mme. Iéna, will say if he hears that I’ve been to see her.” “What!” cried the Duchess with extraordinary vivacity. “Don’t you know that it was we who gave up to Gilbert” (she bitterly regretted that surrender now) “a complete cardroom done in the Empire style which came to us from Quiou-Quiou, and is an absolute marvel! There was no room for it here, though I think it would look better here than it does with him. It’s a thing of sheer beauty, half Etruscan, half Egyptian. …” “Egyptian?” queried the Princess, to whom the word Etruscan conveyed little. “Well, really, you know, a little of both. Swann told us that, he explained it all to me, only you know I’m such a dunce. But then, Ma’am, what one has to bear in mind is that the Egypt of the Empire cabinetmakers has nothing to do with the historical Egypt, nor their Roman with the Romans nor their Etruria. …” “Indeed,” said the Princess. “No, it’s like what they used to call a Louis XV costume under the Second Empire, when Anna de Monchy and dear Brigode’s mother were girls. Basin was talking to you just now about Beethoven. We heard a thing of his played the other day which was really quite good, though a little stiff, with a Russian theme in it. It’s pathetic to think that he believed it to be Russian. In the same way as the Chinese painters believed they were copying Bellini. Besides, even in the same country, whenever anybody begins to look at things in a way that is slightly novel, nine hundred and ninety-nine people out of a thousand are totally incapable of seeing what he puts before them. It takes at least forty years before they can manage to make it out.” “Forty years!” the Princess cried in alarm. “Why, yes,” went on the Duchess, adding more and more to her words (which were practically my own, for I had just been expressing a similar idea to her), thanks to her way of pronouncing them, the equivalent of what on the printed page is called italics: “it’s like a sort of first isolated individual of a species which does not yet exist but is going to multiply in the future, an individual endowed with a kind of sense which the human race of his generation does not possess. I can hardly give myself as an instance because I, on the contrary, have always loved any interesting production from the very start, however novel it might be. But really, the other day I was with the Grand Duchess in the Louvre and we happened to pass before Manet’s Olympia. Nowadays nobody is in the least surprised by it. It looks just like an Ingres! And yet, heaven only knows how many spears I’ve had to break for that picture, which I don’t altogether like but which is unquestionably the work of somebody.” “And is the Grand Duchess well?” inquired the Princesse de Parme, to whom the Tsar’s aunt was infinitely more familiar than Manet’s model. “Yes; we talked about you. After all,” she resumed, clinging to her idea, “the fact of the matter is, as my brother-in-law Palamède always says, that one has between oneself and the rest of the world the barrier of a strange language. Though I admit that there’s no one it’s quite so true of as Gilbert. If it amuses you to go to the Iénas’, you have far too much sense to let your actions be governed by what that poor fellow may think, who is a dear, innocent creature, but really lives in a different world. I feel myself nearer, more akin to my coachman, my horses even, than to a man who keeps on harking back to what people would have thought under Philip the Bold or Louis the Fat. Just fancy, when he goes for a walk in the country, he takes a stick to drive the peasants out of his way, quite in a friendly spirit, saying: ‘Get on, clowns!’ Really, I’m just as much surprised when he speaks to me as if I heard myself addressed by one of the ‘recumbents’ on the old gothic tombs. It’s all very well that animated gravestone’s being my cousin; he frightens me, and the only idea that comes into my head is to let him stay in his Middle Ages. Apart from that, I quite admit that he’s never assassinated anyone.” “I’ve just been seeing him at dinner at Mme. de Villeparisis’s,” said the General, but without either smiling at or endorsing the Duchess’s pleasantries. “Was M. de Norpois there?” asked Prince Von, whose mind still ran on the Academy of Moral Sciences. “Why, yes;” said the General. “In fact, he was talking about your Emperor.” “It seems, the Emperor William is highly intelligent, but he does not care for Elstir’s painting. Not that I’m saying this against him,” said the Duchess, “I quite share his point of view. Although Elstir has done a fine portrait of me. You don’t know it? It’s not in the least like me, but it’s a remarkable piece of work. He is interesting while one’s sitting to him. He has made me like a little old woman. It’s after the style of the Regents of the Hospital, by Hals. I expect you know those sublimities, to borrow my nephew’s favourite expression,” the Duchess turned to myself, gently flapping her fan of black feathers. More than erect on her chair, she flung her head nobly backwards, for, while always a great lady, she was a trifle inclined to play the great lady also. I said that I had been once to Amsterdam and The Hague, but that to avoid confusing my mind, as my time was limited, I had left out Haarlem. “Ah! The Hague! What a gallery!” cried M. de Guermantes. I said to him that he had doubtless admired Vermeer’s Street in Delft. But the Duke was less erudite than arrogant. Accordingly he contented himself with replying in a tone of sufficiency, as was his habit whenever anyone spoke to him of a picture in a gallery, or in the Salon, which he did not remember having seen. “If it’s to be seen, I saw it!” “What? You’ve been to Holland, and you never visited Haarlem!” cried the Duchess. “Why, even if you had only a quarter of an hour to spend in the place, they’re an extraordinary thing to have seen, those Halses. I don’t mind saying that a person who only caught a passing glimpse of them from the top of a tramway-car without stopping, supposing they were hung out to view in the street, would open his eyes pretty wide.” This utterance shocked me as indicating a misconception of the way in which artistic impressions are formed in our minds, and because it seemed to imply that our eye is in that case simply a recording machine which takes instantaneous photographs.
M. de Guermantes, rejoicing that she should be speaking to me with so competent a knowledge of the subjects that interested me, gazed at the illustrious bearing of his wife, listened to what she was saying about Franz Hals, and thought: “She rides roughshod over everything! Our young friend can go home and say that he’s had before his eyes a great lady of the old school, in the full sense of the word, the like of whom couldn’t be found anywhere today.” Thus I beheld the pair of them, withdrawn from that name Guermantes in which long ago I had imagined them leading an unimaginable life, now just like other men and other women, lingering, only, behind their contemporaries a little way, and that not evenly, as in so many households of the Faubourg, where the wife has had the good taste to stop at the golden, the husband the misfortune to come down to the pinchbeck age of history, she remaining still Louis XV while her partner is pompously Louis-Philippe. That Mme. de Guermantes should be like other women had been for me at first a disappointment; it was now, by a natural reaction and with all these good wines to help, almost a miracle. A Don John of Austria, an Isabella d’Este, situated for us in the world of names, have as little communication with the great pages of history as the Méséglise way had with the Guermantes. Isabella d’Este was no doubt in reality a very minor Princess, similar to those who under Louis XIV obtained no special place at Court. But seeming to us to be of a unique and therefore incomparable essence, we cannot conceive of her as being any less in greatness, so that a supper-party with Louis XIV would appear to us only to be rather interesting, whereas with Isabella d’Este we should find ourself, were we to meet her, gazing with our own eyes on a supernatural heroine of romance. Well, after we have, in studying Isabella d’Este, in transplanting her patiently from this world of fairyland into that of history, established the fact that her life, her thought contained nothing of that mysterious strangeness which had been suggested to us by her name, once this disappointment is complete we feel a boundless gratitude to this Princess for having had, of Mantegna’s paintings, a knowledge almost equal to that, hitherto despised by us and put, as Françoise would have said, lower than the dirt, of M. Lafenestre. After having scaled the inaccessible heights of the name Guermantes, on descending the inner slope of the life of the Duchess, I felt on finding there the names, familiar elsewhere, of Victor Hugo, Franz Hals and, I regret to say, Vibert, the same astonishment that an explorer, after having taken into account, to imagine the singularity of the native customs in some wild valley of Central America or Northern Africa, its geographical remoteness, the strangeness of its flora, feels on discovering, once he has made his way through a hedge of giant aloes or manchineels, inhabitants who (sometimes indeed among the ruins of a Roman theatre and beneath a column dedicated to Venus) are engaged in reading Mérope or Alzire. And similarly, so remote, so distinct from, so far superior to the educated women of the middle classes whom I had known, the similar culture by which Mme. de Guermantes had made herself, with no ulterior motive, to gratify no ambition, descend to the level of people whom she would never know, had the character—meritorious, almost touching by virtue of being wholly useless—of an erudition in Phoenician antiquities in a politician or a doctor. “I might have shown you a very fine one,” said Mme. de Guermantes, still speaking of Hals, “the finest in existence, some people say, which was left to me by a German cousin. Unfortunately, it turned out to be ‘enfeoffed’ in the castle—you don’t know the expression, nor I either,” she added, with her fondness for making jokes (which made her, she thought, seem modern) at the expense of the old customs to which nevertheless she was unconsciously but keenly attached. “I am glad you have seen my Elstirs, but, I must admit, I should have been a great deal more glad if I could have done you the honours of my Hals, this ‘enfeoffed’ picture.” “I know the one,” said Prince Von, “it’s the Grand Duke of Hesse’s Hals.” “Quite so; his brother married my sister,” said M. de Guermantes, “and his mother and Oriane’s were first cousins as well.” “But so far as M. Elstir is concerned,” the Prince went on, “I shall take the liberty of saying, without having any opinion of his work, which I do not know, that the hatred with which the Emperor pursues him ought not, it seems to me, to be counted against him. The Emperor is a man of marvellous intelligence.” “Yes, I’ve met him at dinner twice, once at my aunt Sagan’s and once at my aunt Radziwill’s, and I must say I found him quite unusual. I didn’t find him at all simple! But there is something amusing about him, something ‘forced,’ ” she detached the word, “like a green carnation, that is to say a thing that surprises me and does not please me enormously, a thing it is surprising that anyone should have been able to create but which I feel would have been just as well uncreated. I trust I’m not shocking you.” “The Emperor is a man of astounding intelligence,” resumed the Prince, “he is passionately fond of the arts, he has for works of art a taste that is practically infallible, if a thing is good he spots it at once and takes a dislike to it. If he detests anything, there can be no more doubt about it, the thing is excellent.” Everyone smiled. “You set my mind at rest,” said the Duchess. “I should be inclined to compare the Emperor,” went on the Prince, who, not knowing how to pronounce the word archaeologist (that is to say, as though it were spelt “arkeologist”), never missed an opportunity of using it, “to an old archaeologist” (but the Prince said “arsheologist”) “we have in Berlin. If you put him in front of a genuine Assyrian antique, he weeps. But if it is a modern sham, if it is not really old, he does not weep. And so, when they want to know whether an arsheological piece is really old, they take it to the old arsheologist. If he weeps, they buy the piece for the Museum. If his eyes remain dry, they send it back to the dealer, and prosecute him for fraud. Well, every time I dine at Potsdam, if the Emperor says to me, of a play: ‘Prince, you must see that, it’s a work of genius,’ I make a note not to go to it; and when I hear him fulminating against an exhibition, I rush to see it at the first possible opportunity.” “Norpois is in favour of an Anglo-French understanding, isn’t he?” said M. de Guermantes. “What use would that be to you?” asked Prince Von, who could not endure the English, in a tone at once of irritation and cunning. “The English are so schtubid. I know, of course, that it would not be as soldiers that they would help you. But one can judge them, all the same, by the stupidity of their Generals. A friend of mine was talking the other day to Botha, you know, the Boer leader. He said to my friend: ‘It’s terrible, an army like that. I rather like the English, as a matter of fact, but just imagine that I, who am only a peasant, have beaten them in every battle. And in the last, when I gave way before a force twenty times the strength of my own, while I myself surrendered, because I had to, I managed to take two thousand prisoners! That was good enough, because I was only commanding an army of farmers, but if those poor fools ever have to stand up against a European army, one trembles to think what may happen to them!’ Besides, you have only to see how their King, whom you know as well as I do, passes for a great man in England.” I barely listened to these stories, stories of the kind that M. de Norpois used to tell my father; they supplied no food for my favourite train of thought; and besides, even had they possessed the elements which they lacked, they would have had to be of a very exciting quality for my inner life to awaken during those hours in which I dwelt in my skin, my well-brushed hair, my starched shirtfront, in which, that is to say, I could feel nothing of what constituted for me the pleasure of life. “Oh, I don’t agree with you at all,” said Mme. de Guermantes, who felt that the German Prince was wanting in tact, “I find King Edward charming, so simple, and much cleverer than people think. And the Queen is, even now, the most beautiful thing I’ve ever seen in the world.” “But, Madame la Duchesse,” said the Prince, who was losing his temper and did not see that he was giving offence, “You must admit that if the Prince of Wales had been an ordinary person there isn’t a club that wouldn’t have blackballed him, and nobody would have been willing to shake hands with him. The Queen is charming, exceedingly sweet and limited. But after all there is something shocking about a royal couple who are literally kept by their subjects, who get the big Jewish financiers to foot all the bills they ought to pay themselves, and create them Baronets in return. It’s like the Prince of Bulgaria. …” “He’s our cousin,” put in the Duchess. “He’s a clever fellow.” “He’s mine, too, but we don’t think him a good fellow on that account. No, it is us you ought to make friends with, it’s the Emperor’s dearest wish, but he insists on its coming from the heart. He says: ‘What I want to see is a hand clasped in mine, not waving a hat in the air.’ With that, you would be invincible. It would be more practical than the Anglo-French friendship M. de Norpois preaches.” “You know him, of course,” the Duchess said, turning to me, so as not to leave me out of the conversation. Remembering that M. de Norpois had said that I had once looked as though I wanted to kiss his hand, thinking that he had no doubt repeated this story to Mme. de Guermantes, and in any event could have spoken of me to her only with malice, since in spite of his friendship with my father he had not hesitated to make me appear so ridiculous, I did not do what a man of the world would have done. He would have said that he detested M. de Norpois, and had let him see it; he would have said this so as to give himself the appearance of being the deliberate cause of the Ambassador’s slanders, which would then have been no more than lying and calculated reprisals. I said, on the other hand, that, to my great regret, I was afraid that M. de Norpois did not like me. “You are quite mistaken,” replied the Duchess, “he likes you very much indeed. You can ask Basin, for if people give me the reputation of only saying nice things, he certainly doesn’t. He will tell you that we have never heard Norpois speak about anyone so kindly as he spoke to us of you. And only the other day he was wanting to give you a fine post at the Ministry. As he knew that you were not very strong and couldn’t accept it, he had the delicacy not to speak of his kind thought to your father, for whom he has an unbounded admiration.” M. de Norpois was quite the last person whom I should have expected to do me any practical service. The truth was that, his being a mocking and indeed somewhat malicious spirit, those people who had let themselves be taken in as I had by his outward appearance of a Saint Louis delivering justice beneath an oak-tree, by the sounds, easily modulated to pity, that emerged from his somewhat too tuneful lips, believed in a deliberate betrayal when they learned of a slander uttered at their expense by a man who had always seemed to put his whole heart into his speech. These slanders were frequent enough with him. But that did not prevent him from feeling attractions, from praising the people he liked and taking pleasure in showing that he could be of use to them. “Not that I’m in the least surprised at his appreciating you,” said Mme. de Guermantes, “he’s an intelligent man. And I can quite understand,” she added, for the benefit of the rest of the party, making allusion to a purpose of marriage of which I had heard nothing, “that my aunt, who has long ceased to amuse him as an old mistress, may not seem of very much use to him as a young wife. Especially as I understand that even as a mistress she has ceased for years now to serve any practical purpose, she is more wrapped up in her devotions than anything else. Boaz-Norpois can say, in the words of Victor Hugo:
Voilà longtemps que celle avec qui j’ai dormi,
O Seigneur, a quitté ma couche pour la vôtre!
Really, my poor aunt is like the artists of the advanced guard who have stood out all their lives against the Academy, and in the end start a little academy of their own, or the unfrocked priests who get up a little private religion. They should either keep their frocks, or not stick to their profession. And who knows,” went on the Duchess with a meditative air, “it may be in preparation for her widowhood, there’s nothing sadder than the weeds one’s not entitled to wear.” “Ah! If Mme. de Villeparisis were to become Mme. de Norpois, I really believe our cousin Gilbert would take to his bed,” said General de Monserfeuil. “The Prince de Guermantes is a charming man, but he is, really, very much taken up with questions of birth and manners,” said the Princesse de Parme. “I went down to spend a few days with them in the country, when the Princess, unfortunately, was ill in bed. I was accompanied by Petite.” (This was a nickname that was given to Mme. d’Hunolstein because she was enormously stout.) “The Prince came to meet me at the foot of the steps, and pretended not to see Petite. We went up to the first floor, to the door into the reception rooms, and then, stepping back to make way for me, he said: ‘Oh, how d’ye do, Mme. d’Hunolsteins?’ (he always calls her that now, since her separation) pretending to have caught sight of Petite for the first time, so as to show her that he had not come down to receive her at the foot of the steps.” “That doesn’t surprise me in the least. I don’t need to tell you,” said the Duke, who regarded himself as extremely modern, more contemptuous than anyone in the world of mere birth, and in fact a Republican, “that I have not many ideas in common with my cousin. Ma’am can imagine that we are just about as much agreed on most subjects as day and night. But I must say that if my aunt were to marry Norpois, for once I should be of Gilbert’s opinion. To be the daughter of Florimond de Guise, and then to make a marriage like that would be enough, as the saying is, to make a cat laugh; what more can I say?” These last words, which the Duke uttered as a rule in the middle of a sentence, were here quite superfluous. But he felt a perpetual need to be saying them which made him postpone them to the end of a speech if he had found no place for them elsewhere. They were for him, among other things, almost a question of prosody. “Remember, though,” he added, “that the Norpois are gallant gentlemen with a good place, of a good stock.”
“Listen to me, Basin, it’s really not worth your while to poke fun at Gilbert if you’re going to speak the same language as he does,” said Mme. de Guermantes, for whom the “goodness” of a family, no less than that of a wine, consisted in its age. But, less frank than her cousin and more subtle than her husband, she made a point of never in her conversation playing false to the Guermantes spirit, and despised rank in her speech while ready to honour it by her actions. “But aren’t you some sort of cousins?” asked General de Monserfeuil. “I seem to remember that Norpois married a La Rochefoucauld.” “Not in that way at all, she belonged to the branch of the Ducs de La Rochefoucauld, my grandmother came from the Ducs de Doudeauville. She was own grandmother to Edouard Coco, the wisest man in the family,” replied the Duke, whose views of wisdom were somewhat superficial, “and the two branches haven’t intermarried since Louix XIV’s time; the connection would be rather distant.” “I say, that’s interesting; I never knew that,” said the General. “However,” went on M. de Guermantes, “his mother, I believe, was the sister of the Duc de Montmorency, and had originally been married to a La Tour d’Auvergne. But as those Montmorencys are barely Montmorencys, while those La Tour d’Auvergnes are not La Tour d’Auvergnes at all, I cannot see that it gives him any very great position. He says—and this should be more to the point—that he’s descended from Saintrailles, and as we ourselves are in a direct line of descent. …”
There was at Combray a Rue de Saintrailles, to which I had never given another thought. It led from the Rue de la Bretonnerie to the Rue de l’Oiseau. And as Saintrailles, the companion of Joan of Arc, had, by marrying a Guermantes, brought into that family the County of Combray, his arms were quartered with those of Guermantes at the foot of one of the windows in Saint-Hilaire. I saw again a vision of dark sandstone steps, while a modulation of sound brought to my ears that name, Guermantes, in the forgotten tone in which I used to hear it long ago, so different from that in which it was used to signify the genial hosts with whom I was dining this evening. If the name, Duchesse de Guermantes, was for me a collective name, it was so not merely in history, by the accumulation of all the women who had successively borne it, but also in the course of my own short life, which had already seen, in this single Duchesse de Guermantes, so many different women superimpose themselves, each one vanishing as soon as the next had acquired sufficient consistency. Words do not change their meaning as much in centuries as names do for us in the space of a few years. Our memory and our heart are not large enough to be able to remain faithful. We have not room enough, in our mental field, to keep the dead there as well as the living. We are obliged to build over what has gone before and is brought to light only by a chance excavation, such as the name Saintrailles had just wrought in my mind. I felt that it would be useless to explain all this, and indeed a little while earlier I had lied by implication in not answering when M. de Guermantes said to me: “You don’t know our old wheedler?” Perhaps he was quite well aware that I did know him, and it was only from good breeding that he did not press the question.
Mme. de Guermantes drew me out of my meditation. “Really, I find all that sort of thing too deadly. Listen, it’s not always as boring as this at my parties. I hope that you will soon come and dine again as a compensation, with no pedigrees next time,” she murmured, incapable both of appreciating the kind of charm which I could find in her house and of having sufficient humility to be content to appeal to me only as a herbarium, filled with plants of another day.
What Mme. de Guermantes believed to be disappointing my expectations was on the contrary what in the end—for the Duke and the General went on to discuss pedigrees now without stopping—saved my evening from becoming a complete disappointment. How could I have felt otherwise until now? Each of my fellow-guests at dinner, smothering the mysterious name under which I had only at a distance known and dreamed of them with a body and with a mind similar or inferior to those of all the people I knew, had given me the impression of flat vulgarity which the view on entering the Danish port of Elsinore would give to any passionate admirer of Hamlet. No doubt those geographical regions and that ancient past which put forest glades and gothic belfries into their names had in a certain measure formed their faces, their intellects and their prejudices, but survived in them only as does the cause in the effect, that is to say as a thing possible for the brain to extract but in no way perceptible to the imagination.
And these old-time prejudices restored in a flash to the friends of M. and Mme. de Guermantes their vanished poetry. Assuredly, the notions in the possession of nobles, which make of them the scholars, the etymologists of the language not of words but of names (and this, moreover, relatively only to the ignorant mass of the middle classes, for if at the same level of mediocrity a devout Catholic would be better able to stand questioning upon the details of the Liturgy than a freethinker, on the other hand an anticlerical archaeologist can often give points to his parish priest on everything connected even with the latter’s own church), those notions, if we are going to confine ourselves to the truth, that is to say to the spirit, had not for these great gentlemen the charm that they would have had for a man of simple birth. They knew perhaps better than myself that the Duchesse de Guise was Princess of Clèves, of Orléans and of Porcien, and all the rest, but they had known, long before they knew all these names, the face of the Duchesse de Guise which thenceforward the names reflected back to them. I had begun with the fairy—were she fated shortly to perish; they with the woman.
In middle-class families one sometimes sees jealousies spring up if the younger sister is married before the elder. So the aristocratic world, Courvoisiers especially but Guermantes also, reduced its ennobled greatness to simple domestic superiorities, by a system of child’s-play which I had met originally (and this gave it for me its sole charm) in books. Is it not just as though Tallemant des Réaux were speaking of the Guermantes, and not of the Rohans, when he relates with evident satisfaction how M. de Guéménée cried to his brother: “You can come in here; this is not the Louvre!” and said of the Chevalier de Rohan (because he was a natural son of the Duc de Clermont): “At any rate, he’s a Prince.” The only thing that distressed me in all this talk was to find that the absurd stories which were being circulated about the charming Hereditary Grand Duke of Luxembourg found as much credence in this drawing-room as they had among Saint-Loup’s friends. Plainly it was an epidemic that would not last longer than perhaps a year or two but had meanwhile infected everyone. People repeated the same old stories, or enriched them with others equally untrue. I gathered that the Princesse de Luxembourg herself, while apparently defending her nephew, supplied weapons for the assault. “You are wrong to stand up for him,” M. de Guermantes told me, as Saint-Loup had told me before. “Why, without taking into consideration the opinion of our family, who are unanimous about him, you have only to talk to his servants, and they, after all, are the people who know him best. M. de Luxembourg gave his little Negro page to his nephew. The Negro came back in tears: ‘Grand Duke beaten me; me no bad boy; Grand Duke naughty man,’ it’s really too much. And I can speak with some knowledge, he’s Oriane’s cousin.” I cannot, by the way, say how many times in the course of this evening I heard the word “cousin” used. On the one hand, M. de Guermantes, almost at every name that was mentioned, exclaimed: “But he’s Oriane’s cousin!” with the sudden joy of a man who, lost in a forest, reads at the ends of a pair of arrows pointing in opposite directions on a metal plate, and followed by quite a low number of kilometres, the words: “Belvédère Casimir-Perier” and “Croix du Grand-Veneur,” and gathers from them that he is on the right road. On the other hand the word cousin was employed in a wholly different connection (which was here the exception to the prevailing rule) by the Turkish Ambassadress, who had come in after dinner. Devoured by social ambition and endowed with a real power of assimilating knowledge, she would pick up with equal facility the story of the Retreat of the Ten Thousand or the details of sexual perversion among birds. It would have been impossible to “stump” her on any of the most recent German publications, whether they dealt with political economy, mental aberrations, the various forms of onanism, or the philosophy of Epicurus. She was, incidentally, a dangerous person to listen to, for, perpetually in error, she would point out to you as being of the loosest morals women of irreproachable virtue, would put you on your guard against a gentleman whose intentions were perfectly honourable, and would tell you anecdotes of the sort that seem always to have come out of a book, not so much because they are serious as because they are so wildly improbable.
She was at this period little received in society. She had been going for some weeks now to the houses of women of real social brilliance, such as the Duchesse de Guermantes, but as a general rule had confined herself, of necessity, in the noblest families, to obscure scions whom the Guermantes had ceased to know. She hoped to give herself a really fashionable air by quoting the most historic names of the little-known people who were her friends. At once M. de Guermantes, thinking that she was referring to people who frequently dined at his table, quivered with joy at finding himself once more in sight of a landmark and shouted the rallying-cry: “But he’s Oriane’s cousin! I know him as well as I know my own name. He lives in the Rue Vaneau. His mother was Mlle. d’Uzès.” The Ambassadress was obliged to admit that her specimen had been drawn from smaller game. She tried to connect her friends with those of M. de Guermantes by cutting across his track: “I know quite well who’ you mean. No, it’s not those ones, they’re cousins.” But this crosscurrent launched by the unfortunate Ambassadress ran but a little way. For M. de Guermantes, losing interest, answered: “Oh, then I don’t know who’ you’re talking about.” The Ambassadress offered no reply, for if she never knew anyone nearer than the “cousins” of those whom she ought to have known in person, very often these “cousins” were not even related at all. Then, from the lips of M. de Guermantes, would flow a fresh wave of “But she’s Oriane’s cousin!” words which seemed to have for the Duke the same practical value as certain epithets, convenient to the Roman poets because they provided them with dactyls or spondees for their hexameters. At least the explosion of: “But she’s Oriane’s cousin!” appeared to me quite natural when applied to the Princesse de Guermantes, who was indeed very closely related to the Duchess. The Ambassadress did not seem to care for this Princess. She said to me in an undertone: “She is stupid. No, she is not so beautiful as all that. That claim is usurped. Anyhow,” she went on, with an air at once reflective, rejecting and decided, “I find her most uncongenial.” But often the cousinship extended a great deal farther than this, Mme. de Guermantes making it a point of honour to address as “Aunt” ladies with whom it would have been impossible to find her an ancestress in common without going back at least to Louis XV; just as, whenever the “hardness” of the times brought it about that a multimillionairess married a prince whose great-great-grandfather had espoused, as had Oriane’s also, a daughter of Louvois, one of the chief joys of the fair American was to be able, after a first visit to the Hôtel de Guermantes, where she was, incidentally, more or less coldly received and hotly cross-examined, to say “Aunt” to Mme. de Guermantes, who allowed her to do so with a maternal smile. But little did it concern me what birth meant for M. de Guermantes and M. de Monserfeuil, in the conversations which they held on the subject I sought only for a poetic pleasure. Without being conscious of it themselves, they procured me this pleasure as might a couple of labourers or sailors speaking of the soil or the tides, realities too little detached from their own lives for them to be capable of enjoying the beauty which personally I proceeded to extract from them.
Sometimes rather than of a race it was of a particular fact, of a date that a name reminded me. Hearing M. de Guermantes recall that M. de Bréauté’s mother had been a Choiseul and his grandmother a Lucinge, I fancied I could see beneath the commonplace shirt with its plain pearl studs, bleeding still in two globes of crystal, those august relics, the hearts of Mme. de Praslin and of the Duc de Berri. Others were more voluptuous; the fine and flowing hair of Mme. de Tallien or Mme. de Sabran.
Better informed than his wife as to what their ancestors had been, M. de Guermantes found himself the possessor of memories which gave to his conversation a fine air of an ancient mansion stripped of its real treasures but still full of pictures, authentic, indifferent and majestic, which taken as a whole look remarkably well. The Prince d’Agrigente having asked why Prince Von had said, in speaking of the Duc d’Aumale, “my uncle,” M. de Guermantes had replied: “Because his mother’s brother, the Duke of Wurtemberg, married a daughter of Louis-Philippe.” At once I was lost in contemplation of a casket, such as Carpaccio or Memling used to paint, from its first panel in which the Princess, at the wedding festivities of her brother the Duc d’Orléans, appeared wearing a plain garden dress to indicate her resentment at having seen the return, empty-handed, of the ambassadors who had been sent to sue on her behalf for the hand of the Prince of Syracuse, down to the last, in which she had just given birth to a son, the Duke of Wurtemberg (the first cousin of the Prince whom I had met at dinner), in that castle called Fantaisie, one of those places which are as aristocratic as certain families. They, moreover, outlasting a single generation of men, see attached to themselves more than one historical personage. In this one, especially, survive side by side memories of the Margravine of Bayreuth, of this other somewhat fantastic Princess (the Duc d’Orléans’s sister), to whom it was said that the name of her husband’s castle made a distinct appeal, of the King of Bavaria, and finally of Prince Von, to whom it was simply his own postal address, at which he had just asked the Duc de Guermantes to write to him, for he had succeeded to it, and let it only during the Wagner festivals, to the Prince de Polignac, another delightful “fantasist.” When M. de Guermantes, to explain how he was related to Mme. d’Arpajon, was obliged, going so far and so simply, to climb the chain formed by the joined hands of three or five ancestresses back to Marie-Louise of Colbert, it was still the same thing in each case; a great historical event appeared only in passing, masked, unnatural, reduced, in the name of a property, in the Christian names of a woman, so selected because she was the granddaughter of Louis-Philippe and Marie-Amélie, considered no longer as King and Queen of the French, but merely in the extent to which in their capacity as grandparents they bequeathed a heritage. (We see for other reasons in a gazetteer of the works of Balzac, where the most illustrious personages figure only according to their connection with the Comédie Humaine, Napoleon occupy a space considerably less than that allotted to Rastignac, and occupy that space solely because he once spoke to the young ladies of Cinq-Cygne.) Similarly the aristocracy, in its heavy structure, pierced with rare windows, admitting a scanty daylight, showing the same incapacity to soar but also the same massive and blind force as the architecture of the romanesque age, embodies all our history, immures it, beetles over it.
Thus the empty spaces of my memory were covered by degrees with names which in taking order, in composing themselves with relation to one another, in linking themselves to one another by an increasingly numerous connection, resembled those finished works of art in which there is not one touch that is isolated, in which every part in turn receives from the rest a justification which it confers on them.
M. de Luxembourg’s name having come up again in the course of the conversation, the Turkish Ambassadress told us how, the young bride’s grandfather (he who had made that immense fortune out of flour and cereals) having invited M. de Luxembourg to luncheon, the latter had written to decline, putting on the envelope: “M. So-and-so, Miller,” to which the grandfather had replied: “I am all the more disappointed that you were not able to come, my dear friend, because I should have been able to enjoy your society quite intimately, for we were quite an intimate party, just ourselves, and there would have been only the Miller, his Son, and you.” This story was not merely utterly distasteful to me, who knew the impossibility of my dear M. de Nassau’s writing to the grandfather of his wife (whose fortune, moreover, he was expecting to inherit) and addressing him as “Miller”; but furthermore its stupidity became glaring from the start, the word “Miller” having obviously been dragged in only to lead up to the title of La Fontaine’s fable. But there is in the Faubourg Saint-Germain a silliness so great, when it is aggravated by malice, that they all decided that the letter had been sent and that the grandfather, as to whom at once everyone confidently declared that he was a remarkable man, had shown a prettier wit than his grandson-in-law. The Duc de Châtellerault tried to take advantage of this story to tell the one that I had heard in the café: “Everyone had to lie down!”—but scarcely had he begun, or reported M. de Luxembourg’s pretension that in his wife’s presence M. de Guermantes ought to stand up, when the Duchess stopped him with the protest: “No, he is very absurd, but not as bad as that.” I was privately convinced that all these stories at the expense of M. de Luxembourg were equally untrue, and that whenever I found myself face to face with any of the reputed actors or spectators I should hear the same contradiction. I asked myself, nevertheless, whether the contradiction just uttered by Mme. de Guermantes had been inspired by regard for truth or by self-esteem. In either event the latter quality succumbed to malice, for she went on, with a laugh: “Not that I haven’t had my little fling at him too, for he invited me to luncheon, wishing to make me know the Grand Duchess of Luxembourg, which is how he has the good taste to describe his wife when he’s writing to his aunt. I sent a reply expressing my regret, and adding: As for the ‘Grand Duchess of Luxembourg’ (in inverted commas), tell her that if she is coming to see me I am at home every Thursday after five. I have even had another little fling. Happening to be at Luxembourg, I telephoned, asking him to ring me up. His Highness was going to luncheon, had just risen from luncheon, two hours went by and nothing happened; so then I employed another method: ‘Will you tell the Comte de Nassau to come and speak to me?’ Cut to the quick, he was at the instrument that very minute.” Everyone laughed at the Duchess’s story, and at other analogous, that is to say (I am convinced of it) equally untrue stories, for a man more intelligent, better, more refined, in a word more exquisite than this Luxembourg-Nassau I have never met. The sequel will show that it was I who was in the right. I must admit that, in the midst of her onslaught, Mme. de Guermantes had still a kind word for him. “He was not always like that,” she informed us. “Before he went off his head, like the man in the storybook who thinks he’s become king, he was no fool, and indeed in the early days of his engagement he used to speak of it in really quite a nice way, as something he could never have dreamed of: ‘It’s just like a fairytale; I shall have to make my entry into Luxembourg in a fairy coach,’ he said to his uncle d’Ornessan, who answered—for you know it’s not a very big place, Luxembourg: ‘A fairy coach! I’m afraid, my dear fellow, you’d never get it in. I should suggest that you take a goat carriage.’ Not only did this not annoy Nassau, but he was the first to tell us the story, and to laugh at it.” “Ornessan is a witty fellow, and he’s every reason to be; his mother was a Montjeu. He’s in a very bad way now, poor Ornessan.” This name had the magic virtue of interrupting the flow of stale witticisms which otherwise would have gone on forever. In fact, M. de Guermantes had to explain that M. d’Ornessan’s great-grandmother had been the sister of Marie de Castille Montjeu, the wife of Timoléon de Lorraine, and consequently Oriane’s aunt, with the result that the conversation drifted back to genealogies, while the idiot of a Turkish Ambassadress breathed in my ear: “You appear to be very much in the Duke’s good books; have a care!” and, on my demanding an explanation: “I mean to say, you understand what I mean, he’s a man to whom one could safely entrust one’s daughter, but not one’s son.” Now if ever, on the contrary, a man existed who was passionately and exclusively a lover of women, it was certainly the Duc de Guermantes. The state of error, the falsehood fatuously believed to be the truth, were for the Ambassadress like a vital element out of which she could not move. “His brother Mémé, who is, as it happens, for other reasons altogether” (he did not bow to her) “profoundly uncongenial to me, is genuinely distressed by the Duke’s morals. So is their aunt Villeparisis. Ah, now, her I adore! There is a saint of a woman for you, the true type of the great ladies of the past. It’s not only her actual virtue that’s so wonderful but her restraint. She still says ‘Monsieur’ to the Ambassador Norpois whom she sees every day, and who, by the way, left an excellent impression behind him in Turkey.”
I did not even reply to the Ambassadress, in order to listen to the genealogies. They were not all of them important. There came up indeed in the course of the conversation one of those unexpected alliances, which, M. de Guermantes informed me, was a misalliance, but not without charm, for, uniting under the July Monarchy the Duc de Guermantes and the Duc de Fezensac with the two irresistible daughters of an eminent navigator, it gave to the two Duchesses the exciting novelty of a grace exotically middle-class, “Louisphilippically” Indian. Or else, under Louis XIV, a Norpois had married the daughter of the Duc de Mortemart, whose illustrious title struck, in the remoteness of that epoch, the name—which I had found colourless and might have supposed to be modern—of Norpois, carving deeply upon it the beauty of an old medal. And in these cases, moreover, it was not only the less well-known name that benefited by the association; the other, grown commonplace by the fact of its lustre, struck me more forcibly in this novel and more obscure aspect, just as among the portraits painted by a brilliant colourist the most striking is sometimes one that is all in black. The sudden mobility with which all these names seemed to me to have been endowed, as they sprang to take their places by the side of others from which I should have supposed them to be remote, was due not to my ignorance alone; the country-dances which they were performing in my mind they had carried out no less spontaneously at those epochs in which a title, being always attached to a piece of land, used to follow it from one family to another, so much so that, for example, in the fine feudal structure that is the title of Duc de Nemours or Duc de Chevreuse, I was able to discover successively hidden, as in the hospitable abode of a hermit-crab, a Guise, a Prince of Savoy, an Orléans, a Luynes. Sometimes several remained in competition for a single shell: for the Principality of Orange the Royal House of the Netherlands and MM. de Mailly-Nesle, for the Duchy of Brabant the Baron de Charlus and the Royal House of Belgium, various others for the titles of Prince of Naples, Duke of Parma, Duke of Reggio. Sometimes it was the other way; the shell had been so long uninhabited by proprietors long since dead that it had never occurred to me that this or that name of a country house could have been, at an epoch which after all was comparatively recent, the name of a family. And so, when M. de Guermantes replied to a question put to him by M. de Monserfeuil: “No, my cousin was a fanatical Royalist; she was the daughter of the Marquis de Féterne, who played a certain part in the Chouan rising,” on seeing this name Féterne, which had been for me, since my stay at Balbec, the name of a country house, become, what I had never dreamed that it could possibly be, a family name, I felt the same astonishment as in reading a fairytale, where turrets and a terrace come to life and turn into men and women. In this sense of the words, we may say that history, even mere family history, gives life to the old stones of a house. There have been in Parisian society men who played as considerable a part in it, who were more sought after for their distinction or for their wit, who were equally well born as the Duc de Guermantes or the Duc de La Trémoille. They have now fallen into oblivion because, as they left no descendants, their name which we no longer hear sounds like a name unknown; at most, the name of a thing beneath which we never think to discover the name of any person, it survives in some country house, some remote village. The day is not distant when the traveller who, in the heart of Burgundy, stops in the little village of Charlus to look at its church, if he has not sufficient industry or is in too great a hurry to examine its tombstones, will go away ignorant that this name, Charlus, was that of a man who ranked with the highest in the land. This thought reminded me that it was time to go, and that while I was listening to M. de Guermantes talking pedigrees, the hour was approaching at which I had promised to call upon his brother. “Who knows,” I continued to muse, “whether one day Guermantes itself may not appear nothing more than a place-name, save to the archaeologists who, stopping by chance at Combray and standing beneath the window of Gilbert the Bad, have the patience to listen to the account given them by Théodore’s successor or to read the Curé’s guide?” But so long as a great name is not extinct it keeps in the full light of day those men and women who bear it; and there can be no doubt that, to a certain extent, the interest which the illustriousness of these families gave them in my eyes lay in the fact that one can, starting from today, follow their ascending course, step by step, to a point far beyond the fourteenth century, recover the diaries and correspondence of all the forebears of M. de Charlus, of the Prince d’Agrigente, of the Princesse de Parme, in a past in which an impenetrable night would cloak the origins of a middle-class family, and in which we make out, in the luminous backward projection of a name, the origin and persistence of certain nervous characteristics, certain vices, the disorders, of one or another Guermantes. Almost identical pathologically with their namesakes of the present day, they excite from century to century the startled interest of their correspondents, whether these be anterior to the Princess Palatine and Mme. de Motteville, or subsequent to the Prince de Ligne.
However, my historical curiosity was faint in comparison with my aesthetic pleasure. The names cited had the effect of disincarnating the Duchess’s guests, whom, for all they might call themselves Prince d’Agrigente or de Cystira, their mask of flesh and of a common intelligence or want of intelligence had transformed into ordinary mortals, so much so that I had made my landing on the ducal doormat not as upon the threshold (as I had supposed) but as at the farthest confines of the enchanted world of names. The Prince d’Agrigente himself, as soon as I heard that his mother had been a Damas, a granddaughter of the Duke of Modena, was delivered, as from an unstable chemical alloy, from the face and speech that prevented one from recognising him, and went to form with Damas and Modena, which themselves were only titles, a combination infinitely more seductive. Each name displaced by the attractions of another, with which I had never suspected it of having any affinity, left the unalterable position which it had occupied in my brain, where familiarity had dulled it, and, speeding to join the Mortemarts, the Stuarts or the Bourbons, traced with them branches of the most graceful design and an ever-changing colour. The name Guermantes itself received from all the beautiful names—extinct, and so all the more glowingly rekindled—with which I learned only now that it was connected, a new sense and purpose, purely poetical. At the most, at the extremity of each spray that burgeoned from the exalted stem, I could see it flower in some face of a wise king or illustrious princess, like the sire of Henri IV or the Duchesse de Longueville. But as these faces, different in this respect from those of the party around me, were not discoloured for me by any trace of physical experience or fashionable mediocrity, they remained, in their handsome outlines and rainbow iridescence, homogeneous with those names which at regular intervals, each of a different hue, detached themselves from the genealogical tree of Guermantes, and disturbed with no foreign or opaque matter the buds—pellucid, alternate, many-coloured—which (like, in the old Jesse windows, the ancestors of Jesus) blossomed on either side of the tree of glass.
Already I had made several attempts to slip away, on account, more than for any other reason, of the triviality which my presence at it imparted to the gathering, albeit it was one of those which I had long imagined as being so beautiful—as it would doubtless have been had there been no inconvenient witness present. At least my departure would permit the other guests, once the profane intruder was no longer among them, to constitute themselves at length into a secret conclave. They would be free to celebrate the mysteries for the celebration of which they had met together, for it could obviously not have been to talk of Franz Hals or of avarice, and to talk of them in the same way as people talk in middle-class society. They uttered nothing but trivialities, doubtless because I was in the room, and I felt with some compunction, on seeing all these pretty women kept apart, that I was preventing them by my presence from carrying on, in the most precious of its drawing-rooms, the mysterious life of the Faubourg Saint-Germain. But this departure which I was trying at every moment to effect, M. and Mme. de Guermantes carried the spirit of self-sacrifice so far as to postpone, by keeping me in the room. A more curious thing still, several of the ladies who had come hurrying, delighted, beautifully dressed, with constellations of jewels, to be present at a party which, through my fault only, differed in no essential point from those that are given elsewhere than in the Faubourg Saint-Germain, any more than one feels oneself at Balbec to be in a town that differs from what one’s eyes are accustomed to see—several of these ladies retired not at all disappointed, as they had every reason to be, but thanking Mme. de Guermantes most effusively for the delightful evening which they had spent, as though on the other days, those on which I was not present, nothing more used to occur.
Was it really for the sake of dinners such as this that all these people dressed themselves up and refused to allow the penetration of middle-class women into their so exclusive drawing-rooms—for dinners such as this? The same, had I been absent? The suspicion flashed across my mind for a moment, but it was too absurd. Plain common sense enabled me to brush it aside. And then, if I had adopted it, what would have been left of the name Guermantes, already so degraded since Combray?
It struck me that these flower-maidens were, to a strange extent, either ready to be pleased with another person or anxious to make that person pleased with them, for more than one of them, to whom I had not uttered, during the whole course of the evening, more than two or three casual remarks, the stupidity of which had left me blushing, made a point, before leaving the drawing-room, of coming to tell me, fastening on me her fine caressing eyes, straightening as she spoke the garland of orchids that followed the curve of her bosom, what an intense pleasure it had been to her to make my acquaintance, and to speak to me—a veiled allusion to an invitation to dinner—of her desire to “arrange something” after she had “fixed a day” with Mme. de Guermantes. None of these flower ladies left the room before the Princesse de Parme. The presence of that lady—one must never depart before Royalty—was one of the two reasons, neither of which I had guessed, for which the Duchess had insisted so strongly on my remaining. As soon as Mme. de Parme had risen, it was like a deliverance. Each of the ladies having made a genuflection before the Princess, who raised her up from the ground, they received from her, in a kiss, and like a benediction which they had craved kneeling, the permission to ask for their cloaks and carriages. With the result that there followed, at the front door, a sort of stentorian recital of great names from the History of France. The Princesse de Parme had forbidden Mme. de Guermantes to accompany her downstairs to the hall for fear of her catching cold, and the Duke had added: “There, Oriane, since Ma’am gives you leave, remember what the doctor told you.”
“I am sure the Princesse de Parme was most pleased to take dinner with you.” I knew the formula. The Duke had come the whole way across the drawing-room in order to utter it before me with an obliging, concerned air, as though he were handing me a diploma or offering me a plateful of biscuits. And I guessed from the pleasure which he appeared to be feeling as he spoke, and which brought so sweet an expression momentarily into his face that the effort which this represented for him was of the kind which he would continue to make to the very end of his life, like one of those honorific and easy posts which, even when paralytic, one is still allowed to retain.
Just as I was about to leave, the lady in waiting reappeared in the drawing-room, having forgotten to take away some wonderful carnations, sent up from Guermantes, which the Duchess had presented to Mme. de Parme. The lady in waiting was somewhat flushed, one felt that she had just been receiving a scolding, for the Princess, so kind to everyone else, could not contain her impatience at the stupidity of her attendant. And so the latter picked up the flowers and ran quickly, but to preserve her air of ease and independence flung at me as she passed: “The Princess says I’m keeping her waiting; she wants to be gone, and to have the carnations as well. Good lord! I’m not a little bird, I can’t be in two places at once.”
Alas! the rule of not leaving before Royalty was not the only one. I could not depart at once, for there was another: this was that the famous lavishness, unknown to the Courvoisiers, with which the Guermantes, whether opulent or practically ruined, excelled in entertaining their friends, was not only a material lavishness, of the kind that I had often experienced with Robert de Saint-Loup, but also a lavish display of charming words, of courteous actions, a whole system of verbal elegance supplied from a positive treasure-house within. But as this last, in the inactivity of fashionable existence, must remain unemployed, it expanded at times, sought an outlet in a sort of fugitive effusion, all the more intense, which might, in Mme. de Guermantes, have led one to suppose a genuine affection for oneself. Which she did, for that matter, feel at the moment when she let it overflow, for she found then in the society of the friend, man or woman, with whom she happened to be a sort of intoxication, in no way sensual, similar to that which music produces in certain people; she would suddenly detach a flower from her bodice, or a medallion, and present it to someone with whom she would have liked to prolong the evening, with a melancholy feeling the while that such a prolongation could have led to nothing but idle talk, into which nothing could have passed of the nervous pleasure, the fleeting emotion, similar to the first warm days of spring in the impression they leave behind them of exhaustion and regret. As for the friend, it did not do for him to put too implicit a faith in the promises, more exhilarating than anything he had ever heard, tendered by these women who, because they feel with so much more force the sweetness of a moment, make of it, with a delicacy, a nobility of which normally constituted creatures are incapable, a compelling masterpiece of grace and goodness, and have no longer anything of themselves left to give when the next moment has arrived. Their affection does not outlive the exaltation that has dictated it; and the subtlety of mind which had then led them to divine all the things that you wished to hear and to say them to you will permit them just as easily, a few days later, to seize hold of your absurdities and use them to entertain another of their visitors with whom they will then be in the act of enjoying one of those “musical moments” which are so brief.
In the hall where I asked a footman for my snowboots which I had brought as a precaution against the snow, several flakes of which had already fallen, to be converted rapidly into slush, not having realised that they were hardly fashionable, I felt, at the contemptuous smile on all sides, a shame which rose to its highest pitch when I saw that Mme. de Parme had not gone and was watching me put on my American “rubbers.” The Princess came towards me. “Oh! What a good idea,” she exclaimed, “it’s so practical! There’s a sensible man for you. Madame, we shall have to get a pair of those,” she went on to her lady in waiting, while the mockery of the footmen turned to respect and the other guests crowded round me to inquire where I had managed to find these marvels. “With those on, you will have nothing to fear even if it starts snowing again and you have a long way to go. You’re independent of the weather,” said the Princess to me. “Oh! If it comes to that, your Royal Highness can be reassured,” broke in the lady in waiting with a knowing air, “it will not snow again.” “What do you know about it, Madame?” came witheringly from the excellent Princesse de Parme, who alone could succeed in piercing the thick skin of her lady in waiting. “I can assure your Royal Highness, it cannot snow again. It is a physical impossibility.” “But why?” “It cannot snow any more, they have taken the necessary steps to prevent it, they have put down salt in the streets!” The simple-minded lady did not observe either the anger of the Princess or the mirth of the rest of her audience, for instead of remaining silent she said to me with a genial smile, paying no heed to my repeated denials of any connection with Admiral Jurien de la Gravière: “Not that it matters, after all. This gentleman must have stout sea-legs. What’s bred in the bone!”
Then, having escorted the Princesse de Parme to her carriage, M. de Guermantes said to me, taking hold of my greatcoat: “Let me help you into your skin.” He had ceased even to smile when he employed this expression, for those that were most vulgar had for that very reason, because of the Guermantes affection of simplicity, become aristocratic.
An exaltation that sank only into melancholy, because it was artificial, was what I also, although quite differently from Mme. de Guermantes, felt once I had finally left her house, in the carriage that was taking me to that of M. de Charlus. We can at pleasure abandon ourselves to one or other of two forces, of which one rises in ourselves, emanates from our deepest impressions, the other comes to us from without. The first carries with it naturally a joy, the joy that springs from the life of the creator. The other current, that which endeavours to introduce into us the movement by which persons external to ourselves are stirred, is not accompanied by pleasure; but we can add a pleasure to it, by the shock of reaction, in an intoxication so feigned that it turns swiftly into boredom, into melancholy, whence the gloomy faces of so many men of fashion, and all those nervous conditions which may make them end in suicide. Well, in the carriage which was taking me to M. de Charlus, I was a prey to this second sort of exaltation, widely different from that which is given us by a personal impression, such as I had received in other carriages, once at Combray, in Dr. Percepied’s gig, from which I had seen painted against the setting sun the spires of Martinville, another day at Balbec, in Mme. de Villeparisis’s barouche, when I strove to identify the reminiscence that was suggested to me by an avenue of trees. But in this third carriage, what I had before my mind’s eye were those conversations that had seemed to me so tedious at Mme. de Guermantes’s dinner-table, for example Prince Von’s stories about the German Emperor, General Botha and the British Army. I had slipped them into the frame of the internal stereoscope through the lenses of which, once we are no longer ourselves, once, endowed with the spirit of society, we no longer wish to receive our life save from other people, we cast into relief what they have said and done. Like a tipsy man filled with tender feeling for the waiter who has been serving him, I marvelled at my good fortune, a good fortune not realised by me, it is true, at the actual moment, in having dined with a person who knew William II so well, and had told stories about him that were—upon my word—really witty. And, as I repeated to myself, with the Prince’s German accent, the story of General Botha, I laughed out loud, as though this laugh, like certain kinds of applause which increase one’s inward admiration, were necessary to the story as a corroboration of its comic element. Through the magnifying lenses even those of Mme. de Guermantes’s pronouncements which had struck me as being stupid (as for example that on the Hals pictures which one ought to see from the top of a tramway-car) took on a life, a depth that were extraordinary. And I must say that, even if this exaltation was quick to subside, it was not altogether unreasonable. Just as there may always come a day when we are glad to know the person whom we despise more than anyone in the world because he happens to be connected with a girl with whom we are in love, to whom he can introduce us, and thus offers us both utility and gratification, attributes in each of which we should have supposed him to be entirely lacking, so there is no conversation, any more than there are personal relations, from which we can be certain that we shall not one day derive some benefit. What Mme. de Guermantes had said to me about the pictures which it would be interesting to see, even from a tramway-car, was untrue, but it contained a germ of truth which was of value to me later on.
Similarly the lines of Victor Hugo which I had heard her quote were, it must be admitted, of a period earlier than that in which he became something more than a new man, in which he brought to light, in the order of evolution, a literary species till then unknown, endowed with more complex organs than any then in existence. In these first poems, Victor Hugo is still a thinker, instead of contenting himself, like Nature, with supplying food for thought. His “thoughts” he at that time expressed in the most direct form, almost in the sense in which the Duke employed the word when, feeling it to be out of date and a nuisance that the guests at his big parties at Guermantes should, in the visitors’ book, append to their signatures a philosophico-poetical reflection, he used to warn novices in an appealing tone: “Your name, my dear fellow, but no ‘thoughts,’ please!” Well, it was these “thoughts” of Victor Hugo (almost as entirely absent from the Légende des Siècles as “airs,” as “melodies” are from Wagner’s later manner) that Mme. de Guermantes admired in the early Hugo. Nor was she altogether wrong. They were touching, and already round about them, without their form’s having yet the depth which it was to acquire only in later years, the rolling tide of words and of richly articulated rhymes put them beyond comparison with the lines that one might discover in a Corneille, for example, lines in which a Romanticism that is intermittent, restrained and so all the more moving, nevertheless has not at all penetrated to the physical sources of life, modified the unconscious and generalisable organism in which the idea is latent. And so I had been wrong in confining myself, hitherto, to the later volumes of Hugo. Of the earlier, of course, it was only a fractional part that Mme. de Guermantes used to embellish her conversation. But simply by quoting in this way an isolated line one multiplies its power of attraction tenfold. The lines that had entered or returned to my mind during this dinner magnetised in turn, summoned to themselves with such force the poems in the heart of which they were normally embedded, that my magnetised hands could not hold out for longer than forty-eight hours against the force that drew them towards the volume in which were bound up the Orientales and the Chants du Crépuscule. I cursed Françoise’s footman for having made a present to his native village of my copy of the Feuilles d’Automne, and sent him off, with not a moment to be lost, to procure me another. I read these volumes from cover to cover and found peace of mind only when I suddenly came across, awaiting me in the light in which she had bathed them, the lines that I had heard Mme. de Guermantes quote. For all these reasons, conversations with the Duchess resembled the discoveries that we make in the library of a country house, out of date, incomplete, incapable of forming a mind, lacking in almost everything that we value, but offering us now and then some curious scrap of information, for instance the quotation of a fine passage which we did not know and as to which we are glad to remember in after years that we owe our knowledge of it to a stately mansion of the great. We are then, by having found Balzac’s preface to the Chartreuse, or some unpublished letters of Joubert, tempted to exaggerate the value of the life we led there, the sterile frivolity of which, for this windfall of a single evening, we forget.
From this point of view, if the fashionable world had been unable, at the first moment, to provide what my imagination expected, and must consequently strike me first of all by what it had in common with all the other worlds rather than by its difference, still it revealed itself to me by degrees as something quite distinct. Great noblemen are almost the only people of whom one learns as much as one does of peasants; their conversation is adorned with everything that concerns the land, houses, as people used to live in them long ago, old customs, everything of which the world of money is profoundly ignorant. Even supposing that the aristocrat most moderate in his aspirations has finally overtaken the period in which he lives, his mother, his uncles, his great-aunts keep him in touch, when he recalls his childhood, with the conditions of a life almost unknown today. In the death-chamber of a contemporary corpse Mme. de Guermantes would not have pointed out, but would immediately have perceived all the lapses from the traditional customs. She was shocked to see at a funeral women mingling with the men, when there was a particular ceremony which ought to be celebrated for the women. As for the pall, the use of which Bloch would doubtless have believed to be confined to coffins, on account of the pall bearers of whom one reads in the reports of funerals, M. de Guermantes could remember the time when, as a child, he had seen it borne at the wedding of M. de Mailly-Nesle. While Saint-Loup had sold his priceless “Genealogical Tree,” old portraits of the Bouillons, letters of Louis XIII, in order to buy Carrières and furniture in the modern style, M. and Mme. de Guermantes, moved by a sentiment in which the burning love of art may have played only a minor part, and which left them themselves more insignificant than before, had kept their marvellous Boule furniture, which presented a picture attractive in a different way to an artist. A literary man would similarly have been enchanted by their conversation, which would have been for him—for one hungry man has no need of another to keep him company—a living dictionary of all those expressions which every day are becoming more and more forgotten: Saint-Joseph cravats, children dedicated to the Blue, and so forth, which one finds today only among those people who have constituted themselves the friendly and benevolent custodians of the past. The pleasure that a writer, more than among other writers, feels among them is not without danger, for there is a risk of his coming to believe that the things of the past have a charm in themselves, of his transferring them bodily into his work, stillborn in that case, exhaling a tedium for which he consoles himself with the reflection: “It is attractive because it’s true; that is how people do talk.” These aristocratic conversations had moreover the charm, with Mme. de Guermantes, of being couched in excellent French. For this reason they made permissible on the Duchess’s part her hilarity at the words “viaticum,” “cosmic,” “pythian,” “preeminent,” which Saint-Loup used to employ—as, similarly, at his Bing furniture.
When all was said, very different in this respect from what I had been able to feel before the hawthorns, or when I tasted a crumb of madeleine, the stories that I had heard at Mme. de Guermantes’s remained alien to me. Entering for a moment into me, who was only physically possessed by them, one would have said that, being of a social, not an individual nature, they were impatient to escape. I writhed in my seat in the carriage like the priestess of an oracle. I looked forward to another dinner-party at which I might myself become a sort of Prince Von to Mme. de Guermantes, and repeat them. In the meantime they made my lips quiver as I stammered them to myself, and I tried in vain to bring back and concentrate a mind that was carried away by a centrifugal force. And so it was with a feverish impatience not to have to bear the whole weight of them any longer by myself in a carriage where, for that matter, I atoned for the lack of conversation by soliloquising aloud, that I rang the bell at M. de Charlus’s door, and it was in long monologues with myself, in which I rehearsed everything that I was going to tell him and gave scarcely a thought to what he might have to say to me, that I spent the whole of the time during which I was kept waiting in a drawing-room into which a footman showed me and where I was incidentally too much excited to look at what it contained. I felt so urgent a need that M. de Charlus should listen to the stories which I was burning to tell him that I was bitterly disappointed to think that the master of the house was perhaps in bed; and that I might have to go home to sleep off by myself my drunkenness of words. I had just noticed, in fact, that I had been twenty-five minutes—that they had perhaps forgotten about me—in this room of which, despite this long wait, I could at the most have said that it was very big, greenish in colour, and contained a large number of portraits. The need to speak prevents one not merely from listening but from seeing things, and in this case the absence of any description of my external surroundings is tantamount to a description of my internal state. I was preparing to leave the room to try to get hold of someone, and if I found no one to make my way back to the hall and have myself let out, when, just as I had risen from my chair and taken a few steps across the mosaic parquet of the floor, a manservant came in, with a troubled expression: “Monsieur le Baron has been engaged all evening, Sir,” he told me. “There are still several people waiting to see him. I am doing everything I possibly can to get him to receive you, I have already telephoned up twice to the secretary.” “No; please don’t bother. I had an appointment with M. le Baron, but it is very late already, and if he is busy this evening I can come back another day.” “Oh no, Sir, you must not go away,” cried the servant. “M. le Baron might be vexed. I will try again.” I was reminded of the things I had heard about M. de Charlus’s servants and their devotion to their master. One could not quite say of him as of the Prince de Conti that he sought to give pleasure as much to the valet as to the Minister, but he had shown such skill in making of the least thing that he asked of them a sort of personal favour that at night, when, his body-servants assembled round him at a respectful distance, after running his eye over them he said: “Coignet, the candlestick!” or “Ducret, the nightshirt!” it was with an envious murmur that the rest used to withdraw, jealous of him who had been singled out by his master’s favour. Two of them, indeed, who could not abide one another, used to try to snatch the favour each from his rival by going on the most flimsy pretext with a message to the Baron, if he had gone upstairs earlier than usual, in the hope of being invested for the evening with the charge of candlestick or nightshirt. If he addressed a few words directly to one of them on some subject outside the scope of his duty, still more if in winter, in the garden, knowing that one of his coachmen had caught cold, he said to him, after ten minutes: “Put your cap on!” the others would not speak to the fellow again for a fortnight, in their jealousy of the great distinction that had been conferred on him. I waited ten minutes more, and then, after requesting me not to stay too long as M. le Baron was tired and had had to send away several most important people who had made appointments with him many days before, they admitted me to his presence. This setting with which M. de Charlus surrounded himself seemed to me a great deal less impressive than the simplicity of his brother Guermantes, but already the door stood open, I could see the Baron, in a Chinese dressing-gown, with his throat bare, lying upon a sofa. My eye was caught at the same moment by a tall hat, its nap flashing like a mirror, which had been left on a chair with a cape, as though the Baron had but recently come in. The valet withdrew. I supposed that M. de Charlus would rise to greet me. Without moving a muscle he fixed on me a pair of implacable eyes. I went towards him, I said good evening; he did not hold out his hand, made no reply, did not ask me to take a chair. After a moment’s silence I asked him, as one would ask an ill-mannered doctor, whether it was necessary for me to remain standing. I said this without any evil intention, but my words seemed only to intensify the cold fury on M. de Charlus’s face. I was not aware, as it happened, that at home, in the country, at the Château de Charlus, he was in the habit, after dinner (so much did he love to play the king) of sprawling in an armchair in the smoking-room, letting his guests remain standing round him. He would ask for a light from one, offer a cigar to another and then, after a few minutes’ interval, would say: “But Argencourt, why don’t you sit down? Take a chair, my dear fellow,” and so forth, having made a point of keeping them standing simply to remind them that it was from himself that permission came to them to be seated. “Put yourself in the Louis XIV seat,” he answered me with an imperious air, as though rather to force me to move away farther from himself than to invite me to be seated. I took an armchair which was comparatively near. “Ah! so that is what you call a Louis XIV seat, is it? I can see you have been well educated,” he cried in derision. I was so much taken aback that I did not move, either to leave the house, as I ought to have done, or to change my seat, as he wished. “Sir,” he next said to me, weighing each of his words, to the more impertinent of which he prefixed a double yoke of consonants, “the interview which I have condescended to grant you at the request of a person who desires to be nameless, will mark the final point in our relations. I shall not conceal from you that I had hoped for better things! I should perhaps be forcing the sense of the words a little, which one ought not to do, even with people who are ignorant of their value, simply out of the respect due to oneself, were I to tell you that I had felt a certain attraction towards you. I think, however, that benevolence, in its most actively protecting sense, would exceed neither what I felt nor what I was proposing to display. I had, immediately on my return to Paris, given you to understand, while you were still at Balbec, that you could count upon me.” I who remembered with what a torrent of abuse M. de Charlus had parted from me at Balbec made an instinctive gesture of contradiction. “What!” he cried with fury, and indeed his face, convulsed and white, differed as much from his ordinary face as does the sea when on a morning of storm one finds instead of its customary smiling surface a thousand serpents writhing in spray and foam, “do you mean to pretend that you did not receive my message—almost a declaration—that you were to remember me? What was there in the way of decoration round the cover of the book that I sent you?” “Some very pretty twined garlands with tooled ornaments,” I told him. “Ah!” he replied, with an air of scorn, “these young Frenchmen know little of the treasures of our land. What would be said of a young Berliner who had never heard of the Walküre? Besides, you must have eyes to see and see not, since you yourself told me that you had stood for two hours in front of that particular treasure. I can see that you know no more about flowers than you do about styles; don’t protest that you know about styles,” he cried in a shrill scream of rage, “you can’t even tell me what you are sitting on. You offer your hindquarters a Directory chauffeuse as a Louis XIV bergère. One of these days you’ll be mistaking Mme. de Villeparisis’s knees for the seat of the rear, and a fine mess you’ll make of things then. It’s precisely the same; you didn’t even recognise on the binding of Bergotte’s book the lintel of myosotis over the door of Balbec church. Could there be any clearer way of saying to you: ‘Forget me not!’?”
I looked at M. de Charlus. Undoubtedly his magnificent head, though repellent, yet far surpassed that of any of his relatives; you would have called him an Apollo grown old; but an olive-hued, bilious juice seemed ready to start from the corners of his evil mouth; as for intellect, one could not deny that his, over a vast compass, had taken in many things which must always remain unknown to his brother Guermantes. But whatever the fine words with which he coloured all his hatreds, one felt that, even if there was now an offended pride, now a disappointment in love, or a rancour, or sadism, a love of teasing, a fixed obsession, this man was capable of doing murder, and of proving by force of logic that he had been right in doing it and was still superior by a hundred cubits in moral stature to his brother, his sister-in-law, or any of the rest. “Just as, in Velazquez’s Lances,” he went on, “the victor advances towards him who is the humbler in rank, as is the duty of every noble nature, since I was everything and you were nothing, it was I who took the first steps towards you. You have made an idiotic reply to what it is not for me to describe as an act of greatness. But I have not allowed myself to be discouraged. Our religion inculcates patience. The patience I have shown towards you will be counted, I hope, to my credit, and also my having only smiled at what might be denounced as impertinence, were it within your power to offer any impertinence to me who surpass you in stature by so many cubits; but after all, Sir, all this is now neither here nor there. I have subjected you to the test which the one eminent man of our world has ingeniously named the test of excessive friendliness, and which he rightly declares to be the most terrible of all, the only one that can separate the good grain from the tares. I could scarcely reproach you for having undergone it without success, for those who emerge from it triumphant are very few. But at least, and this is the conclusion which I am entitled to draw from the last words that we shall exchange on this earth, at least I intend to hear nothing more of your calumnious fabrications.” So far, I had never dreamed that M. de Charlus’s rage could have been caused by an unflattering remark which had been repeated to him; I searched my memory; I had not spoken about him to anyone. Some evildoer had invented the whole thing. I protested to M. de Charlus that I had said absolutely nothing about him. “I don’t think I can have annoyed you by saying to Mme. de Guermantes that I was a friend of yours.” He gave a disdainful smile, made his voice climb to the supreme pitch of its highest register, and there, without strain, attacking the shrillest and most insolent note: “Oh! Sir,” he said, returning by the most gradual stages to a natural intonation, and seeming to revel as he went in the oddities of this descending scale, “I think that you are doing yourself an injustice when you accuse yourself of having said that we were friends. I do not look for any great verbal accuracy in anyone who could readily mistake a piece of Chippendale for a rococo chaire, but really I do not believe,” he went on, with vocal caresses that grew more and more winning and brought to hover over his lips what was actually a charming smile, “I do not believe that you can ever have said, or thought, that we were friends! As for your having boasted that you had been presented to me, had talked to me, knew me slightly, had obtained, almost without solicitation, the prospect of coming one day under my protection, I find it on the contrary very natural and intelligent of you to have done so. The extreme difference in age that there is between us enables me to recognise without absurdity that that presentation, those talks, that vague prospect of future relations were for you, it is not for me to say an honour, but still, when all is said and done, an advantage as to which I consider that your folly lay not in divulging it but in not having had the sense to keep it. I will go so far as to say,” he went on, passing abruptly for a moment from his arrogant wrath to a gentleness so tinged with melancholy that I expected him to burst into tears, “that when you left unanswered the proposal I made to you here in Paris it seemed to me so unheard-of an act on your part, coming from you who had struck me as well brought up and of a good bourgeois family,” (on this adjective alone his voice sounded a little whistle of impertinence) “that I was foolish enough to imagine all the excuses that never really happen, letters miscarrying, addresses copied down wrong. I can see that on my part it was great foolishness, but Saint Bonaventure preferred to believe that an ox could fly rather than that his brother was capable of lying. Anyhow, that is all finished now, the idea did not attract you, there is no more to be said. It seems to me only that you might have brought yourself,” (and there was a genuine sound of weeping in his voice) “were it only out of consideration for my age, to write to me. I had conceived and planned for you certain infinitely seductive things, which I had taken good care not to tell you. You have preferred to refuse without knowing what they were; that is your affair. But, as I tell you, one can always write. In your place, and indeed in my own, I should have done so. I like my place, for that reason, better than yours—I say ‘for that reason’ because I believe that we are all equal, and I have more fellow-feeling for an intelligent labourer than for many of our dukes. But I can say that I prefer my place to yours, because what you have done, in the whole course of my life, which is beginning now to be a pretty long one, I am conscious that I have never done.” His head was turned away from the light, and I could not see if his eyes were dropping tears as I might have supposed from his voice. “I told you that I had taken a hundred steps towards you; the only effect of that has been to make you retire two hundred from me. Now it is for me to withdraw, and we shall know one another no longer. I shall retain not your name but your story, so that at moments when I might be tempted to believe that men have good hearts, good manners, or simply the intelligence not to allow an unparalleled opportunity to escape them, I may remember that that is ranking them too highly. No, that you should have said that you knew me, when it was true—for henceforward it ceases to be true—I regard that as only natural, and I take it as an act of homage, that is to say something pleasant. Unfortunately, elsewhere and in other circumstances, you have uttered remarks of a very different nature.” “Sir, I swear to you that I have said nothing that could insult you.” “And who says that I am insulted?” he cried with fury, flinging himself into an erect posture on the seat on which hitherto he had been reclining motionless, while, as the pale frothing serpents stiffened in his face, his voice became alternately shrill and grave, like the deafening onrush of a storm. (The force with which he habitually spoke, which used to make strangers turn round in the street, was multiplied an hundredfold, as is a musical forte if, instead of being played on the piano, it is played by an orchestra, and changed into a fortissimo as well. M. de Charlus roared.) “Do you suppose that it is within your power to insult me? You evidently are not aware to whom you are speaking? Do you imagine that the envenomed spittle of five hundred little gentlemen of your type, heaped one upon another, would succeed in slobbering so much as the tips of my august toes?” A moment before this my desire to persuade M. de Charlus that I had never said, nor heard anyone else say any evil of him had given place to a mad rage, caused by the words which were dictated to him solely, to my mind, by his colossal pride. Perhaps they were indeed the effect, in part at any rate, of this pride. Almost all the rest sprang from a feeling of which I was then still ignorant, and for which I could not therefore be blamed for not making due allowance. I could at least, failing this unknown element, have mingled with his pride, had I remembered the words of Mme. de Guermantes, a trace of madness. But at that moment the idea of madness never even entered my head. There was in him, according to me, only pride, in me there was only fury. This fury (at the moment when M. de Charlus ceased to shout, in order to refer to his august toes, with a majesty that was accompanied by a grimace, a nausea of disgust at his obscure blasphemers), this fury could contain itself no longer. With an impulsive movement, I wanted to strike something, and, a lingering trace of discernment making me respect the person of a man so much older than myself, and even, in view of their dignity as works of art, the pieces of German porcelain that were grouped around him, I flung myself upon the Baron’s new silk hat, dashed it to the ground, trampled upon it, began blindly pulling it to pieces, wrenched off the brim, tore the crown in two, without heeding the vociferations of M. de Charlus, which continued to sound, and, crossing the room to leave it, opened the door. One on either side of it, to my intense stupefaction, stood two footmen, who moved slowly away, so as to appear only to have been casually passing in the course of their duty; (I afterwards learned their names; one was called Burnier, the other Charmel.) I was not taken in for a moment by this explanation which their leisurely gait seemed to offer me. It was highly improbable; three others appeared to me to be less so; one that the Baron sometimes entertained guests against whom, as he might happen to need assistance (but why?), he deemed it necessary to keep reinforcements posted close at hand. The second was that, drawn by curiosity, they had stopped to listen at the keyhole, not thinking that I should come out so quickly. The third, that, the whole of the scene which M. de Charlus had made with me having been prepared and acted, he had himself told them to listen, from a love of the spectacular combined, perhaps, with a “nunc erudimini” from which each would derive a suitable profit.
My anger had not calmed that of M. de Charlus, my departure from the room seemed to cause him acute distress; he called me back, made his servants call me back, and finally, forgetting that a moment earlier, when he spoke of his “august toes,” he had thought to make me a witness of his own deification, came running after me at full speed, overtook me in the hall, and stood barring the door. “There, now,” he said, “don’t be childish; come back for a minute; he who loveth well chasteneth well, and if I have chastened you well it is because I love you well.” My anger had subsided; I let the word “chasten” pass, and followed the Baron, who, summoning a footman, ordered him without a trace of self-consciousness to clear away the remains of the shattered hat, which was replaced by another. “If you will tell me, Sir, who it is that has treacherously maligned me,” I said to M. de Charlus, “I will stay here to learn his name and to confute the impostor.” “Who? Do you not know? Do you retain no memory of the things you say? Do you think that the people who do me the service of informing me of those things do not begin by demanding secrecy? And do you imagine that I am going to betray a person to whom I have given my promise?” “Sir, is it impossible then for you to tell me?” I asked, racking my brains in a final effort to discover (and discovering no one) to whom I could have spoken about M. de Charlus. “You did not hear me say that I had given a promise of secrecy to my informant?” he said in a snapping voice. “I see that with your fondness for abject utterances you combine one for futile persistence. You ought to have at least the intelligence to profit by a final conversation, and so to speak as to say something that does not mean precisely nothing.” “Sir,” I replied, moving away from him, “you insult me; I am unarmed, because you are several times my age, we are not equally matched; on the other hand, I cannot convince you; I have already sworn to you that I have said nothing.” “I am lying, then, am I?” he cried in a terrifying tone, and with a bound forwards that brought him within a yard of myself. “Someone has misinformed you.” Then in a gentle, affectionate, melancholy voice, as in those symphonies which are played without any break between the different movements, in which a graceful scherzo, amiable and idyllic, follows the thunder-peals of the opening pages: “It is quite possible,” he told me. “Generally speaking, a remark repeated at second hand is rarely true. It is your fault if, not having profited by the opportunities of seeing me which I had held out to you, you have not furnished me, by that open speech of daily intercourse which creates confidence, with the unique and sovereign remedy against a spoken word which made you out a traitor. Either way, true or false, the remark has done its work. I can never again rid myself of the impression it made on me. I cannot even say that he who chasteneth well loveth well, for I have chastened you well enough but I no longer love you.” While saying this he had forced me to sit down and had rung the bell. A different footman appeared. “Bring something to drink and order the brougham.” I said that I was not thirsty and besides had a carriage waiting. “They have probably paid him and sent him away,” he told me, “you needn’t worry about that. I am ordering a carriage to take you home. … If you’re anxious about the time. … I could have given you a room here. …” I said that my mother would be uneasy. “Ah! Of course, yes. Well, true or false, the remark has done its work. My affection, a trifle premature, had flowered too soon, and, like those apple trees of which you spoke so poetically at Balbec, it has been unable to withstand the first frost.” If M. de Charlus’s affection for me had not been destroyed, he could hardly have acted differently, since, while assuring me that we were no longer acquainted, he made me sit down, drink, asked me to stay the night, and was going now to send me home. He had indeed an air of dreading the moment at which he must part from me and find himself alone, that sort of slightly anxious fear which his sister-in-law and cousin Guermantes had appeared to me to be feeling when she had tried to force me to stay a little longer, with something of the same momentary fondness for myself, of the same effort to prolong the passing minute. “Unfortunately,” he went on, “I have not the power to make blossom again what has once been destroyed. My affection for you is quite dead. Nothing can revive it. I believe that it is not unworthy of me to confess that I regret it. I always feel myself to be a little like Victor Hugo’s Boaz: ‘I am widowed and alone, and the darkness gathers o’er me.’ ”
I passed again with him through the big green drawing-room. I told him, speaking quite at random, how beautiful I thought it. “Ain’t it?” he replied. “It’s a good thing to be fond of something. The woodwork is Bagard. What is rather charming, d’you see, is that it was made to match the Beauvais chairs and the consoles. You observe, it repeats the same decorative design. There used to be only two places where you could see this, the Louvre and M. d’Hinnisdal’s house. But naturally, as soon as I had decided to come and live in this street, there cropped up an old family house of the Chimays which nobody had ever seen before because it came here expressly for me. On the whole, it’s good. It might perhaps be better, but after all it’s not bad. Some pretty things, ain’t there? These are portraits of my uncles, the King of Poland and the King of England, by Mignard. But why am I telling you all this? You must know it as well as I do, you were waiting in this room. No? Ah, then they must have put you in the blue drawing-room,” he said with an air that might have been either impertinence, on the score of my want of interest, or personal superiority, in not having taken the trouble to ask where I had been kept waiting. “Look now, in this cabinet I have all the hats worn by Mlle. Elisabeth, by the Princesse de Lamballe, and by the Queen. They don’t interest you, one would think you couldn’t see. Perhaps you are suffering from an affection of the optic nerve. If you like this kind of beauty better, here is a rainbow by Turner beginning to shine out between these two Rembrandts, as a sign of our reconciliation. You hear: Beethoven has come to join him.” And indeed one could hear the first chords of the third part of the Pastoral Symphony, “Joy after the Storm,” performed somewhere not far away, on the first landing no doubt, by a band of musicians. I innocently inquired how they happened to be playing that, and who the musicians were. “Ah, well, one doesn’t know. One never does know. They are unseen music. Pretty, ain’t it?” he said to me in a slightly impertinent tone, which, nevertheless, suggested somehow the influence and accent of Swann. “But you care about as much for it as a fish does for little apples. You want to go home, regardless of any want of respect for Beethoven or for me. You are uttering your own judgment and condemnation,” he added, with an affectionate and mournful air, when the moment had come for me to go. “You will excuse my not accompanying you home, as good manners ordain that I should,” he said to me. “Since I have decided not to see you again, spending five minutes more in your company would make very little difference to me. But I am tired, and I have a great deal to do.” And then, seeing that it was a fine night: “Very well, yes, I will come in the carriage, there is a superb moon which I shall go on to admire from the Bois after I have taken you home. What, you don’t know how to shave; even on a night when you’ve been dining out, you have still a few hairs here,” he said, taking my chin between two fingers, so to speak magnetised, which after a moment’s resistance ran up to my ears, like the fingers of a barber. “Ah! It would be pleasant to look at the ‘blue light of the moon’ in the Bois with someone like yourself,” he said to me with a sudden and almost involuntary gentleness, then, in a sadder tone: “For you are nice, all the same; you could be nicer than anyone,” he went on, laying his hand in a fatherly way on my shoulder. “Originally, I must say that I found you quite insignificant.” I ought to have reflected that he must find me so still. I had only to recall the rage with which he had spoken to me, barely half-an-hour before. In spite of this I had the impression that he was, for the moment, sincere, that his kindness of heart was prevailing over what I regarded as an almost delirious condition of susceptibility and pride. The carriage was waiting beside us, and still he prolonged the conversation. “Come along,” he said abruptly, “jump in, in five minutes we shall be at your door. And I shall bid you a good night which will cut short our relations, and for all time. It is better, since we must part forever, that we should do so, as in music, on a perfect chord.” Despite these solemn affirmations that we should never see one another again, I could have sworn that M. de Charlus, annoyed at having forgotten himself earlier in the evening and afraid of having hurt my feelings, would not have been displeased to see me once again. Nor was I mistaken, for, a moment later: “There, now,” he said, “if I hadn’t forgotten the most important thing of all. In memory of your grandmother, I have had bound for you a curious edition of Mme. de Sévigné. That is what is going to prevent this from being our last meeting. One must console oneself with the reflection that complicated affairs are rarely settled in a day. Just look how long they took over the Congress of Vienna.” “But I could call for it without disturbing you,” I said obligingly. “Will you hold your tongue, you little fool,” he replied with anger, “and not give yourself the grotesque appearance of regarding as a small matter the honour of being probably (I do not say certainly, for it will perhaps be one of my servants who hands you the volumes) received by me.” Then, regaining possession of himself: “I do not wish to part from you on these words. No dissonance, before the eternal silence of the dominant.” It was for his own nerves that he seemed to dread an immediate return home after harsh words of dissension. “You would not care to come to the Bois?” he addressed me in a tone not so much interrogative as affirmative, and that not, as it seemed to me, because he did not wish to make me the offer but because he was afraid that his self-esteem might meet with a refusal. “Oh, very well,” he went on, still postponing our separation, “it is the moment when, as Whistler says, the bourgeois go to bed” (perhaps he wished now to capture me by my self-esteem) “and the right time to begin to look at things. But you don’t even know who Whistler was!” I changed the conversation and asked him whether the Princesse d’Iéna was an intelligent person. M. de Charlus stopped me, and, adopting the most contemptuous tone that I had yet heard him use, “Oh! There, Sir,” he informed me, “you are alluding to an order of nomenclature with which I have no concern. There is perhaps an aristocracy among the Tahitians, but I must confess that I know nothing about it. The name which you have just mentioned, strangely enough, did sound in my ears only a few days ago. Someone asked me whether I would condescend to allow them to present to me the young Duc de Guastalla. The request astonished me, for the Duc de Guastalla has no need to get himself presented to me, for the simple reason that he is my cousin, and has known me all his life; he is the son of the Princesse de Parme, and, as a young kinsman of good upbringing, he never fails to come and pay his respects to me on New Year’s Day. But, on making inquiries, I discovered that it was not my relative who was meant but the son of the person in whom you are interested. As there exists no Princess of that title, I supposed that my friend was referring to some poor wanton sleeping under the Pont d’Iéna, who had picturesquely assumed the title of Princesse d’Iéna, just as one talks about the Panther of the Batignolles, or the Steel King. But no, the reference was to a rich person who possesses some remarkable furniture which I had seen and admired at an exhibition, and which has this advantage over the name of its owner that it is genuine. As for this self-styled Duc de Guastalla, he, I supposed, must be my secretary’s stockbroker; one can procure so many things with money. But no; it was the Emperor, it appears, who amused himself by conferring on these people a title which simply was not his to give. It was perhaps a sign of power, or of ignorance, or of malice; in any case, I consider, it was an exceedingly scurvy trick to play on these unconscious usurpers. But really, I cannot help you by throwing any light on the matter; my knowledge begins and ends with the Faubourg Saint-Germain, where, among all the Courvoisiers and Gallardons, you will find, if you can manage to secure an introduction, plenty of mangy old cats taken straight out of Balzac who will amuse you. Naturally, all that has nothing to do with the position of the Princesse de Guermantes, but without me and my ‘Open, Sesame’ her portals are unapproachable.” “It is really very lovely, isn’t it, Sir, the Princesse de Guermantes’s mansion?” “Oh, it’s not very lovely. It’s the loveliest thing in the world. Next to the Princess herself, of course.” “The Princesse de Guermantes is better than the Duchesse de Guermantes?” “Oh! There’s no comparison.” (It is to be observed that, whenever people in society have the least touch of imagination, they will crown or dethrone, to suit their affections or their quarrels, those whose position appeared most solid and unalterably fixed.)
“The Duchesse de Guermantes” (possibly, in not calling her “Oriane,” he wished to set a greater distance between her and myself) “is delightful, far superior to anything you can have guessed. But, after all, she is incommensurable with her cousin. The Princess is exactly what the people in the Markets might imagine Princess Metternich to have been, but old Metternich believed she had started Wagner, because she knew Victor Maurel. The Princesse de Guermantes, or rather her mother, knew the man himself. Which is a distinction, not to mention the incredible beauty of the lady. And the Esther gardens alone!” “One can’t see them?” “No, you would have to be invited, but they never invite anyone unless I intervene.” But at once withdrawing, after casting it at me, the bait of this offer, he held out his hand, for we had reached my door. “My part is played, Sir, I will simply add these few words. Another person will perhaps some day offer you his affection, as I have done. Let the present example serve for your instruction. Do not neglect it. Affection is always precious. What one cannot do by oneself in this life, because there are things which one cannot ask, nor do, nor wish, nor learn by oneself, one can do in company, and without needing to be Thirteen, as in Balzac’s story, or Four, as in The Three Musketeers. Goodbye.”
He must have been feeling tired and have abandoned the idea of going to look at the moonlight, for he asked me to tell his coachman to drive home. At once he made a sharp movement as though he had changed his mind. But I had already given the order, and, so as not to lose any more time, went across now to ring the bell, without its entering my head that I had been meaning to tell M. de Charlus, about the German Emperor and General Botha, stories which had been an hour ago such an obsession but which his unexpected and crushing reception had sent flying far out of my mind.
On entering my room I saw on my desk a letter which Françoise’s young footman had written to one of his friends and had left lying there. Now that my mother was away, there was no liberty which he had the least hesitation in taking; I was the more to blame of the two for taking that of reading the letter which, without an envelope, lay spread out before me and (which was my sole excuse) seemed to offer itself to my eye.
“Dear Friend and Cousin,
“I hope this finds you in good health, and the same with all the young folk, particularly my young godson Joseph whom I have not yet had the pleasure of meeting but whom I prefer to you all as being my godson, these relics of the heart they have their dust also, upon their blest remains let us not lay our hands. Besides dear friend and cousin who can say that tomorrow you and your dear wife my cousin Marie, will not both of you be cast headlong down into the bottom of the sea, like the sailor clinging to the mast on high, for this life is but a dark valley. Dear friend I must tell you that my principal occupation, which will astonish you I am certain, is now poetry which I love passionately, for one must somehow pass the time away. And so dear friend do not be too surprised if I have not answered your last letter before now, in place of pardon let oblivion come. As you are aware, Madame’s mother has passed away amid unspeakable sufferings which fairly exhausted her as she saw as many as three doctors. The day of her interment was a great day for all Monsieur’s relations came in crowds as well as several Ministers. It took them more than two hours to get to the cemetery, which will make you all open your eyes pretty wide in your village for they certainly won’t do as much for mother Michu. So all my life to come can be but one long sob. I am amusing myself enormously with the motorcycle of which I have recently learned. What would you say, my dear friends, if I arrived suddenly like that at full speed at Les Ecorces. But on that head I shall no more keep silence for I feel that the frenzy of grief sweeps its reason away. I am associating with the Duchesse de Guermantes, people whose very names you have never heard in our ignorant villages. Therefore it is with pleasure that I am going to send the works of Racine, of Victor Hugo, of Pages Choisies de Chenedolle, of Alfred de Musset, for I would cure the land in which I saw the light of ignorance which leads unerringly to crime. I can think of nothing more to say to you and send you like the pelican wearied by a long flight my best regards as well as to your wife my godson and your sister Rose. May it never be said of her: And Rose she lived only as live the roses, as has been said by Victor Hugo, the sonnet of Arvers, Alfred de Musset, all those great geniuses who for that cause have had to die upon the blazing scaffold like Jeanne d’Arc. Hoping for your next letter soon, receive my kisses like those of a brother.
We are attracted by every form of life which represents to us something unknown and strange, by a last illusion still unshattered. In spite of this, the mysterious utterances by means of which M. de Charlus had led me to imagine the Princesse de Guermantes as an extraordinary creature, different from anyone that I knew, were not sufficient to account for the stupefaction in which I was plunged, speedily followed by the fear that I might be the victim of some bad joke planned by someone who wanted to send me to the door of a house to which I had not been invited, when, about two months after my dinner with the Duchess and while she was at Cannes, having opened an envelope the appearance of which had not led me to suppose that it contained anything out of the common, I read the following words engraved on a card: “The Princesse de Guermantes, née Duchesse en Bavière, At Home, the ⸺th.” No doubt to be invited to the Princesse de Guermantes’s was perhaps not, from the social point of view, any more difficult than to dine with the Duchess, and my slight knowledge of heraldry had taught me that the title of Prince is not superior to that of Duke. Besides, I told myself that the intelligence of a society woman could not be essentially so heterogeneous to that of her congeners as M. de Charlus made out, nor so heterogeneous to that of any one other woman in society. But my imagination, like Elstir engaged upon rendering some effect of perspective without reference to a knowledge of the laws of nature which he might quite well possess, depicted for me not what I knew but what it saw; what it saw, that is to say what the name showed it. Now, even before I had met the Duchess, the name Guermantes preceded by the title of Princess, like a note or a colour or quantity, profoundly modified from the surrounding values by the mathematical or aesthetic sign that governs it, had already suggested to me something entirely different. With that title one finds one’s thoughts straying instinctively to the memoirs of the days of Louis XIII and Louis XIV, the English Court, the Queen of Scots, the Duchesse d’Aumale; and I imagined the town house of the Princesse de Guermantes as more or less frequented by the Duchesse de Longueville and the great Condé, whose presence there rendered it highly improbable that I should ever make my way into it.
Many of the things that M. de Charlus had told me had driven a vigorous spur into my imagination and, making it forget how much the reality had disappointed me at Mme. de Guermantes’s (people’s names are in this respect like the names of places), had swung it towards Oriane’s cousin. For that matter, M. de Charlus misled me at times as to the imaginary value and variety of people in society only because he was himself at times misled. And this, perhaps, because he did nothing, did not write, did not paint, did not even read anything in a serious and thorough manner. But, superior by several degrees to the people in society, if it was from them and the spectacle they afforded that he drew the material for his conversation, he was not for that reason understood by them. Speaking as an artist, he could at the most reveal the fallacious charm of people in society. But reveal it to artists alone, with relation to whom he might be said to play the part played by the reindeer among the Eskimo. This precious animal plucks for them from the barren rocks lichens and mosses which they themselves could neither discover nor utilise, but which, once they have been digested by the reindeer, become for the inhabitants of the far North a nourishing form of food.
To which I may add that the pictures which M. de Charlus drew of society were animated with plenty of life by the blend of his ferocious hatreds and his passionate affections. Hatreds directed mainly against the young men, adoration aroused principally by certain women.
If among these the Princesse de Guermantes was placed by M. de Charlus upon the most exalted throne, his mysterious words about the “unapproachable Aladdin’s palace” in which his cousin dwelt were not sufficient to account for my stupefaction. Apart from whatever may be due to the divers subjective points of view, of which I shall have to speak later, in these artificial magnifications, the fact remains that there is a certain objective reality in each of these people, and consequently a difference among them. And how, when it comes to that, could it be otherwise? The humanity with which we consort and which bears so little resemblance to our dreams is, for all that, the same that, in the Memoirs, in the Letters of eminent persons, we have seen described and have felt a desire to know. The old man of complete insignificance whom we met at dinner is the same who wrote that proud letter, which (in a book on the War of 1870) we read with emotion, to Prince Friedrich-Karl. We are bored at a dinner-table because our imagination is absent, and because it is bearing us company we are interested in a book. But the people in question are the same. We should like to have known Mme. de Pompadour, who was so valuable a patron of the arts, and we should have been as much bored in her company as among the modern Egerias, at whose houses we cannot bring ourselves to pay a second call, so uninteresting do we find them. The fact remains, nevertheless, that these differences do exist. People are never exactly similar to one another, their mode of behaviour with regard to ourselves, at, one might say, the same level of friendship, reveals differences which, in the end, offer compensations. When I knew Mme. de Montmorency, she loved to say unpleasant things to me, but if I was in need of a service she would squander, in the hope of obtaining it for me effectively, all the credit at her disposal, without counting the cost. Whereas some other woman, Mme. de Guermantes for example, would never have wished to hurt my feelings, never said anything about me except what might give me pleasure, showered on me all those tokens of friendship which formed the rich manner of living, morally, of the Guermantes, but, had I asked her for the least thing above and beyond that, would not have moved an inch to procure it for me, as in those country houses where one has at one’s disposal a motorcar and a special footman, but where it is impossible to obtain a glass of cider, for which no provision has been made in the arrangements for a party. Which was for me the true friend, Mme. de Montmorency, so glad always to annoy me and always so ready to oblige, or Mme. de Guermantes, distressed by the slightest offence that might have been given me and incapable of the slightest effort to be of use to me? The types of the human mind are so varied, so opposite, not only in literature but in society, that Baudelaire and Mérimée are not the only people who have the right to despise one another mutually. These peculiarities continue to form in everyone a system of attitudes, of speech, of actions, so coherent, so despotic, that when we are in the presence of anyone his or her system seems to us superior to the rest. With Mme. de Guermantes, her words, deduced like a theorem from her type of mind, seemed to me the only ones that could possibly be said. And I was, at heart, of her opinion when she told me that Mme. de Montmorency was stupid and kept an open mind towards all the things she did not understand, or when, having heard of some spiteful remark by that lady, she said: “That is what you call a good woman; it is what I call a monster.” But this tyranny of the reality which confronts us, this preponderance of the lamplight which turns the dawn—already distant—as pale as the faintest memory, disappeared when I was away from Mme. de Guermantes, and a different lady said to me, putting herself on my level and reckoning the Duchess as placed far below either of us: “Oriane takes no interest, really, in anything or anybody,” or even (what in the presence of Mme. de Guermantes it would have seemed impossible to believe, so loudly did she herself proclaim the opposite): “Oriane is a snob.” Seeing that no mathematical process would have enabled one to convert Mme. d’Arpajon and Mme. de Montpensier into commensurable quantities, it would have been impossible for me to reply, had anyone asked me which of the two seemed to me superior to the other.
Now, among the peculiar characteristics of the drawing-room of the Princesse de Guermantes, the one most generally quoted was a certain exclusiveness, due in part to the royal birth of the Princess, but especially to the almost fossilised rigidity of the aristocratic prejudices of the Prince, prejudices which, incidentally, the Duke and Duchess had made no scruple about deriding in front of me, and which naturally were to make me regard it as more improbable than ever that I should have been invited to a party by this man who reckoned only in royalties and dukes, and at every dinner-party made a scene because he had not been put in the place to which he would have been entitled under Louis XIV, a place which, thanks to his immense erudition in matters of history and genealogy, he was the only person who knew. For this reason, many of the people in society placed to the credit of the Duke and Duchess the differences which distinguished them from their cousins. “The Duke and Duchess are far more modern, far more intelligent, they don’t think of nothing, like the other couple, but how many quarterings one has, their house is three hundred years in advance of their cousins’,” were customary remarks, the memory of which made me tremble as I looked at the card of invitation, to which they gave a far greater probability of its having been sent me by some practical joker.
If the Duke and Duchess had not been still at Cannes, I might have tried to find out from them whether the invitation which I had received was genuine. This state of doubt in which I was plunged was not due, as I flattered myself for a time by supposing, to a sentiment which a man of fashion would not have felt and which, consequently, a writer, even if he belonged apart from his writership to the fashionable caste, ought to reproduce in order to be thoroughly “objective” and to depict each class differently. I happened, in fact, only the other day, in a charming volume of memoirs, to come upon the record of uncertainties analogous to those which the Princesse de Guermantes’s card made me undergo. “Georges and I” (or “Hély and I,” I have not the book at hand to verify the reference) “were so keen to be asked to Mme. Delessert’s that, having received an invitation from her, we thought it prudent, each of us independently, to make certain that we were not the victims of an April fool.” Now, the writer is none other than the Comte d’Haussonville (he who married the Duc de Broglie’s daughter) and the other young man who “independently” makes sure that he is not having a practical joke played on him is, according to whether he is called Georges or Hély, one or other of the two inseparable friends of M. d’Haussonville, either M. d’Harcourt or the Prince de Chalais.
The day on which the party was to be given at the Princesse de Guermantes’s, I learned that the Duke and Duchess had just returned to Paris. The Princess’s ball would not have brought them back, but one of their cousins was seriously ill, and moreover the Duke was greatly taken up with a revel which was to be held the same night, and at which he himself was to appear as Louis XI and his wife as Isabel of Bavaria. And I determined to go and see her that morning. But, having gone out early, they had not yet returned; I watched first of all from a little room, which had seemed to me to be a good lookout post, for the arrival of their carriage. As a matter of fact I had made a singularly bad choice in my observatory from which I could barely make out our courtyard, but I did see into several others, and this, though of no value to me, occupied my mind for a time. It is not only in Venice that one has those outlooks on to several houses at once which have proved so tempting to painters; it is just the same in Paris. Nor do I cite Venice at random. It is of its poorer quarters that certain poor quarters of Paris make one think, in the morning, with their tall, wide chimneys to which the sun imparts the most vivid pinks, the brightest reds; it is a whole garden that flowers above the houses, and flowers in such a variety of tints that one would call it, planted on top of the town, the garden of a tulip-fancier of Delft or Haarlem. And then also, the extreme proximity of the houses, with their windows looking opposite one another on to a common courtyard, makes of each casement the frame in which a cook sits dreamily gazing down at the ground below, in which farther off a girl is having her hair combed by an old woman with the face, barely distinguishable in the shadow, of a witch: thus each courtyard provides for the adjoining house, by suppressing all sound in its interval, by leaving visible a series of silent gestures in a series of rectangular frames, glazed by the closing of the windows, an exhibition of a hundred Dutch paintings hung in rows. Certainly from the Hôtel de Guermantes one did not have the same kind of view, but one had curious views also, especially from the strange trigonometrical point at which I had placed myself and from which one’s gaze was arrested by nothing nearer than the distant heights formed by the comparatively vague plots of ground which preceded, on a steep slope, the mansion of the Marquise de Plassac and Mme. de Tresmes, cousins (of the most noble category) of M. de Guermantes, whom I did not know. Between me and this house (which was that of their father, M. de Bréquigny) nothing but blocks of buildings of low elevation, facing in every conceivable direction, which, without blocking the view, increased the distance with their diagonal perspective. The red-tiled turret of the coach-house in which the Marquis de Frécourt kept his carriages did indeed end in a spire that rose rather higher, but was so slender that it concealed nothing, and made one think of those picturesque old buildings in Switzerland which spring up in isolation at the foot of a mountain. All these vague and divergent points on which my eyes rested made more distant apparently than if it had been separated from us by several streets or by a series of foothills the house of Mme. de Plassac, actually quite near but chimerically remote as in an Alpine landscape. When its large paned windows, glittering in the sunlight like flakes of rock crystal, were thrown open so as to air the rooms, one felt, in following from one floor to the next the footmen whom it was impossible to see clearly but who were visibly shaking carpets, the same pleasure as when one sees in a landscape by Turner or Elstir a traveller in a mail-coach, or a guide, at different degrees of altitude on the Saint-Gothard. But from this point of view in which I had ensconced myself I should have been in danger of not seeing M. or Mme. de Guermantes come in, so that when in the afternoon I was free to resume my survey I simply stood on the staircase, from which the opening of the carriage-gate could not escape my notice, and it was on this staircase that I posted myself, albeit there did not appear there, so entrancing with their footmen rendered minute by distance and busily cleaning, the Alpine beauties of the Bréquigny-Tresmes mansion. Now this wait on the staircase was to have for me consequences so considerable, and to reveal to me a picture no longer Turneresque but ethical, of so great importance, that it is preferable to postpone the account of it for a little while by interposing first that of my visit to the Guermantes when I knew that they had come home. It was the Duke alone who received me in the library. As I went in there came out a little man with snow-white hair, a look of poverty, a little black neckcloth such as was worn by the lawyer at Combray and by several of my grandfather’s friends, but of a more timid aspect than they, who, making me a series of profound bows, refused absolutely to go downstairs until I had passed him. The Duke shouted after him from the library something which I did not understand, and the other responded with further bows, addressed to the wall, for the Duke could not see him, but endlessly repeated nevertheless, like the purposeless smiles on the faces of people who are talking to one over the telephone; he had a falsetto voice, and saluted me afresh with the humility of a man of business. And he might, for that matter, have been a man of business from Combray, so much was he in the style, provincial, out of date and mild, of the small folk, the modest elders of those parts. “You shall see Oriane in a minute,” the Duke told me when I had entered the room. “As Swann is coming in presently and bringing her the proofs of his book on the coinage of the Order of Malta, and, what is worse, an immense photograph he has had taken showing both sides of each of the coins, Oriane preferred to get dressed early so that she can stay with him until it’s time to go out to dinner. We have such a heap of things in the house already that we don’t know where to put them all, and I ask myself where on earth we are going to stick this photograph. But I have too good-natured a wife, who is too fond of giving people pleasure. She thought it would be polite to ask Swann to let her see side by side on one sheet the heads of all those Grand Masters of the Order whose medals he has found at Rhodes. I said Malta, didn’t I, it is Rhodes, but it’s all the same Order of Saint John of Jerusalem. As a matter of fact, she is interested in them only because Swann makes a hobby of it. Our family is very much mixed up in the whole story; even at the present day, my brother, whom you know, is one of the highest dignitaries in the Order of Malta. But I might have told all that to Oriane, she simply wouldn’t have listened to me. On the other hand, it was quite enough that Swann’s researches into the Templars (it’s astonishing the passion that people of one religion have for studying others) should have led him on to the history of the Knights of Rhodes, who succeeded the Templars, for Oriane at once to insist on seeing the heads of these Knights. They were very small fry indeed compared with the Lusignans, Kings of Cyprus, from whom we descend in a direct line. But so far, as Swann hasn’t taken them up, Oriane doesn’t care to hear anything about the Lusignans.” I could not at once explain to the Duke why I had come. What happened was that several relatives or friends, including Mme. de Silistrie and the Duchesse de Montrose, came to pay a call on the Duchess, who was often at home before dinner, and not finding her there stayed for a short while with the Duke. The first of these ladies (the Princesse de Silistrie), simply attired, with a dry but friendly manner, carried a stick in her hand. I was afraid at first that she had injured herself, or was a cripple. She was on the contrary most alert. She spoke regretfully to the Duke of a first cousin of his own—not on the Guermantes side, but more illustrious still, were that possible—whose health, which had been in a grave condition for some time past, had grown suddenly worse. But it was evident that the Duke, while full of pity for his cousin’s lot, and repeating “Poor Mama! He’s such a good fellow!” had formed a favourable prognosis. The fact was that the dinner at which the Duke was to be present amused him, the big party at the Princesse de Guermantes’s did not bore him, but above all he was to go on at one o’clock in the morning with his wife to a great supper and costume ball, with a view to which a costume of Louis XI for himself, and one of Isabel of Bavaria for his wife were waiting in readiness. And the Duke was determined not to be disturbed amid all these gaieties by the sufferings of the worthy Amanien d’Osmond. Two other ladies carrying sticks, Mme. de Plassac and Mme. de Tresmes, both daughters of the Comte de Bréquigny, came in next to pay Basin a visit, and declared that cousin Mama’s state left no room now for hope. The Duke shrugged his shoulders, and to change the conversation asked whether they were going that evening to Marie-Gilbert’s. They replied that they were not, in view of the state of Amanien who was in his last agony, and indeed they had excused themselves from the dinner to which the Duke was going, the other guests at which they proceeded to enumerate: the brother of King Theodosius, the Infanta Maria Concepcion, and so forth. As the Marquis d’Osmond was less nearly related to them than he was to Basin, their “defection” appeared to the Duke to be a sort of indirect reproach aimed at his own conduct. And so, albeit they had come down from the heights of the Bréquigny mansion to see the Duchess (or rather to announce to her the alarming character, incompatible for his relatives with attendance at social gatherings, of their cousin’s illness) they did not stay long, and, each armed with her alpenstock, Walpurge and Dorothée (such were the names of the two sisters) retraced the craggy path to their citadel. I never thought of asking the Guermantes what was the meaning of these sticks, so common in a certain part of the Faubourg Saint-Germain. Possibly, looking upon the whole parish as their domain, and not caring to hire cabs, they were in the habit of taking long walks, for which some old fracture, due to immoderate indulgence in the chase, and to the falls from horseback which are often the fruit of that indulgence, or simply rheumatism caused by the dampness of the left bank and of old country houses made a stick necessary. Perhaps they had not set out upon any such long expedition through the quarter, but, having merely come down into their garden (which lay at no distance from that of the Duchess) to pick the fruit required for stewing, had looked in on their way home to bid good evening to Mme. de Guermantes, though without going so far as to bring a pair of shears or a watering-can into her house. The Duke appeared touched that I should have come to see them so soon after their return to Paris. But his face grew dark when I told him that I had come to ask his wife to find out whether her cousin really had invited me. I had touched upon one of those services which M. and Mme. de Guermantes were not fond of rendering. The Duke explained to me that it was too late, that if the Princess had not sent me an invitation it would make him appear to be asking her for one, that his cousins had refused him one once before, and he had no wish to appear either directly or indirectly to be interfering with their visiting list, be “meddling”; finally, he could not even be sure that he and his wife, who were dining out that evening, would not come straight home afterwards, that in that case their best excuse for not having gone to the Princess’s party would be to conceal from her the fact of their return to Paris, instead of hastening to inform her of it, as they must do if they sent her a note, or spoke to her over the telephone about me, and certainly too late to be of any use, since, in all probability, the Princess’s list of guests would be closed by now. “You’ve not fallen foul of her in any way?” he asked in a suspicious tone, the Guermantes living in a constant fear of not being informed of the latest society quarrels, and so of people’s trying to climb back into favour on their shoulders. Finally, as the Duke was in the habit of taking upon himself all decisions that might seem not very good-natured: “Listen, my boy,” he said to me suddenly, as though the idea had just come into his head, “I would really rather not mention at all to Oriane that you have been speaking to me about it. You know how kindhearted she is; besides, she has an enormous regard for you, she would insist on sending to ask her cousin, in spite of anything I might say to the contrary, and if she is tired after dinner, there will be no getting out of it, she will be forced to go to the party. No, decidedly, I shall say nothing to her about it. Anyhow, you will see her yourself in a minute. But not a word about that matter, I beg of you. If you decide to go to the party, I have no need to tell you what a pleasure it will be to us to spend the evening there with you.” The motives actuating humanity are too sacred for him before whom they are invoked not to bow to them, whether he believes them to be sincere or not; I did not wish to appear to be weighing in the balance for a moment the relative importance of my invitation and the possible tiredness of Mme. de Guermantes, and I promised not to speak to her of the object of my visit, exactly as though I had been taken in by the little farce which M. de Guermantes had performed for my benefit. I asked him if he thought there was any chance of my seeing Mme. de Stermaria at the Princess’s. “Why, no,” he replied with the air of an expert; “I know the name you mention, from having seen it in lists of club members, it is not at all the type of person who goes to Gilbert’s. You will see nobody there who is not excessively proper and intensely boring, duchesses bearing titles which one thought were extinct years ago and which they have revived for the occasion, all the Ambassadors, heaps of Coburgs, foreign royalties, but you mustn’t hope for the ghost of a Stermaria. Gilbert would be taken ill at the mere thought of such a thing.
“Wait now, you’re fond of painting, I must show you a superb picture I bought from my cousin, partly in exchange for the Elstirs, which frankly did not appeal to us. It was sold to me as a Philippe de Champaigne, but I believe myself that it’s by someone even greater. Would you like to know my idea? I believe it to be a Velazquez, and of the best period,” said the Duke, looking me boldly in the eyes, whether to learn my impression or in the hope of enhancing it. A footman came in. “Mme. la Duchesse has told me to ask M. le Duc if M. le Duc will be so good as to see M. Swann, as Mme. la Duchesse is not quite ready.” “Show M. Swann in,” said the Duke, after looking at his watch and seeing that he had still a few minutes before he need go to dress. “Naturally my wife, who told him to come, is not ready. There’s no use saying anything before Swann about Marie-Gilbert’s party,” said the Duke. “I don’t know whether he’s been invited. Gilbert likes him immensely, because he believes him to be the natural grandson of the Duc de Berri, but that’s a long story. (Otherwise, you can imagine! My cousin, who falls in a fit if he sees a Jew a mile off.) But now, don’t you see, the Dreyfus case has made things more serious. Swann ought to have realised that he more than anyone must drop all connection with those fellows, instead of which he says the most offensive things.” The Duke called back the footman to know whether the man who had been sent to inquire at cousin Osmond’s had returned. His plan was as follows: as he believed, and rightly, that his cousin was dying, he was anxious to obtain news of him before his death, that is to say before he was obliged to go into mourning. Once covered by the official certainty that Amanien was still alive, he could go without a thought to his dinner, to the Prince’s party, to the midnight revel at which he would appear as Louis XI, and had made the most exciting assignation with a new mistress, and would make no more inquiries until the following day, when his pleasures would be at an end. Then one would put on mourning if the cousin had passed away in the night. “No, M. le Duc, he is not back yet.” “What in the Name of God! Nothing is ever done in this house till the last minute,” cried the Duke, at the thought that Amanien might still be in time to “croak” for an evening paper, and so make him miss his revel. He sent for the Temps, in which there was nothing. I had not seen Swann for a long time, and asked myself at first whether in the old days he used to clip his moustache, or had not his hair brushed up vertically in front, for I found in him something altered; it was simply that he was indeed greatly “altered” because he was very ill, and illness produces in the face modifications as profound as are created by growing a beard or by changing the line of one’s parting. (Swann’s illness was the same that had killed his mother, who had been attacked by it at precisely the age which he had now reached. Our existences are in truth, owing to heredity, as full of cabalistic ciphers, of horoscopic castings as if there really were sorcerers in the world. And just as there is a certain duration of life for humanity in general, so there is one for families in particular, that is to say, in any one family, for the members of it who resemble one another.) Swann was dressed with an elegance which, like that of his wife, associated with what he now was what he once had been. Buttoned up in a pearl-grey frock-coat which emphasised the tallness of his figure, slender, his white gloves stitched in black, he carried a grey tall hat of a specially wide shape which Delion had ceased now to make except for him, the Prince de Sagan, the Marquis de Modène, M. Charles Haas and Comte Louis de Turenne. I was surprised at the charming smile and affectionate handclasp with which he replied to my greeting, for I had imagined that after so long an interval he would not recognise me at once; I told him of my astonishment; he received it with a shout of laughter, a trace of indignation and a further grip of my hand, as if it were throwing doubt on the soundness of his brain or the sincerity of his affection to suppose that he did not know me. And yet that was what had happened; he did not identify me, as I learned long afterwards, until several minutes later when he heard my name mentioned. But no change in his face, in his speech, in the things he said to me betrayed the discovery which a chance word from M. de Guermantes had enabled him to make, with such mastery, with such absolute sureness did he play the social game. He brought to it, moreover, that spontaneity in manners and personal initiative, even in his style of dress, which characterised the Guermantes type. Thus it was that the greeting which the old clubman, without recognising me, had given me was not the cold and stiff greeting of the man of the world who was a pure formalist, but a greeting full of a real friendliness, of a true charm, such as the Duchesse de Guermantes, for instance, possessed (carrying it so far as to smile at you first, before you had bowed to her, if she met you in the street), in contrast to the more mechanical greeting customary among the ladies of the Faubourg Saint-Germain. In the same way, again, the hat which, in conformity with a custom that was beginning to disappear, he laid on the floor by his feet, was lined with green leather, a thing not usually done, because, according to him, this kept the hat much cleaner, in reality because it was highly becoming. “Now, Charles, you’re a great expert, come and see what I’ve got to show you, after which, my boys, I’m going to ask your permission to leave you together for a moment while I go and change my clothes, besides, I expect Oriane won’t be long now.” And he showed his “Velazquez” to Swann. “But it seems to me that I know this,” said Swann with the grimace of a sick man for whom the mere act of speaking requires an effort. “Yes,” said the Duke, turned serious by the time which the expert took in expressing his admiration. “You have probably seen it at Gilbert’s.” “Oh, yes, of course, I remember.” “What do you suppose it is?” “Oh, well, if it comes from Gilbert’s, it is probably one of your ancestors,” said Swann with a blend of irony and deference towards a form of greatness which he would have felt it impolite and absurd to despise, but to which for reasons of good taste he preferred to make only a playful reference.
“To be sure, it is,” said the Duke bluntly. “It’s Boson, the I forget how manieth de Guermantes. Not that I care a damn about that. You know I’m not as feudal as my cousin. I’ve heard the names mentioned of Rigaud, Mignard, Velazquez even!” he went on, fastening on Swann the gaze of an inquisitor and executioner in an attempt at once to read into his mind and to influence his response. “Well,” he concluded, for when he was led to provoke artificially an opinion which he desired to hear, he had the faculty, after a few moments, of believing that it had been spontaneously uttered; “come, now, none of your flattery, do you think it’s by one of those big masters I’ve mentioned?” “Nnnnno,” said Swann. “But after all, I know nothing about these things, it’s not for me to decide who daubed the canvas. But you’re a dilettante, a master of the subject, to whom do you attribute it? You’re enough of an expert to have some idea. What would you put it down as?” Swann hesitated for a moment before the picture, which obviously he thought atrocious. “A bad joke!” he replied, with a smile at the Duke who could not check an impulsive movement of rage. When this had subsided: “Be good fellows, both of you, wait a moment for Oriane, I must go and put on my swallowtails and then I’ll join you. I shall send word to my good woman that you’re both waiting for her.” I talked for a minute or two with Swann about the Dreyfus case, and asked him how it was that all the Guermantes were anti-Dreyfusards. “In the first place because at heart all these people are anti-semites,” replied Swann, who, all the same, knew very well from experience that certain of them were not, but, like everyone who supports any cause with ardour, preferred, to explain the fact that other people did not share his opinion, to suppose in them a preconceived reason, a prejudice against which there was nothing to be done, rather than reasons which might permit of discussion. Besides, having come to the premature term of his life, like a weary animal that is goaded on, he cried out against these persecutions and was returning to the spiritual fold of his fathers. “Yes, the Prince de Guermantes,” I said, “it is true, I’ve heard that he was anti-semitic.” “Oh, that fellow! I wasn’t even thinking about him. He carries it to such a point that when he was in the army and had a frightful toothache he preferred to grin and bear it rather than go to the only dentist in the district, who happened to be a Jew, and later on he allowed a wing of his castle which had caught fire to be burned to the ground, because he would have had to send for extinguishers to the place next door, which belongs to the Rothschilds.” “Are you going to be there this evening, by any chance?” “Yes,” Swann replied, “although I am far too tired. But he sent me a wire to tell me that he has something to say to me. I feel that I shall be too unwell in the next few days to go there or to see him at home; it would upset me, so I prefer to get it over at once.” “But the Duc de Guermantes is not anti-semitic?” “You can see quite well that he is, since he’s an anti-Dreyfusard,” replied Swann, without noticing the logical fallacy. “That doesn’t prevent my being very sorry that I disappointed the man—what am I saying? The Duke, I mean—by not admiring his Mignard or whatever he calls it.” “But at any rate,” I went on, reverting to the Dreyfus case, “the Duchess, she, now, is intelligent.” “Yes, she is charming. To my mind, however, she was even more charming when she was still known as the Princesse des Laumes. Her mind has become somehow more angular, it was all much softer in the juvenile great lady, but after all, young or old, men or women, what can you expect, all these people belong to a different race, one can’t have a thousand years of feudalism in one’s blood with impunity. Naturally they imagine that it counts for nothing in their opinions.” “All the same, Robert de Saint-Loup is a Dreyfusard.” “Ah! So much the better, all the more as you know that his mother is extremely ‘anti.’ I had heard that he was, but I wasn’t certain of it. That gives me a great deal of pleasure. It doesn’t surprise me, he’s highly intelligent. It’s a great thing, that is.”
Dreyfusism had brought to Swann an extraordinary simplicity of mind, and had imparted to his way of looking at things an impulsiveness, an inconsistency more noticeable even than had been the similar effects of his marriage to Odette; this new loss of caste would have been better described as a recasting, and was entirely to his credit, since it made him return to the ways in which his forebears had trodden and from which he had turned aside to mix with the aristocracy. But Swann, just at the very moment when with such lucidity it had been granted to him, thanks to the gifts he had inherited from his race, to perceive a truth that was still hidden from people of fashion, showed himself nevertheless quite comically blind. He subjected afresh all his admirations and all his contempts to the test of a new criterion, Dreyfusism. That the anti-Dreyfusism of Mme. Bontemps should have made him think her a fool was no more astonishing than that, when he was first married, he should have thought her intelligent. It was not very serious either that the new wave reached also his political judgments and made him lose all memory of having treated as a man with a price, a British spy (this latter was an absurdity of the Guermantes set), Clemenceau, whom he declared now to have always stood up for conscience, to be a man of iron, like Cornély. “No, no, I never told you anything of the sort. You’re thinking of someone else.” But, sweeping past his political judgments, the wave overthrew in Swann his literary judgments also, and even affected his way of pronouncing them. Barrès had lost all his talent, and even the books of his early days were feeble, one could hardly read them again. “You try, you’ll find you can’t struggle to the end. What a difference from Clemenceau! Personally, I am not anticlerical, but when you compare them together you must see that Barrès is invertebrate. He’s a very great fellow, is old Clemenceau. How he knows the language!” However, the anti-Dreyfusards were in no position to criticise these follies. They explained that one was a Dreyfusard by one’s being of Jewish origin. If a practising Catholic like Saniette stood out also for a fresh trial, that was because he was buttonholed by Mme. Verdurin, who behaved like a wild Radical. She was out above all things against the “frocks.” Saniette was more fool than knave, and had no idea of the harm that the Mistress was doing him. If you pointed out that Brichot was equally a friend of Mme. Verdurin and was a member of the Patrie Française, that was because he was more intelligent. “You see him occasionally?” I asked Swann, referring to Saint-Loup. “No, never. He wrote to me the other day hoping that I would ask the Duc de Mouchy and various other people to vote for him at the Jockey, where for that matter he got through like a letter through the post.” “In spite of the Case!” “The question was never raised. However I must tell you that since all this business began I never set foot in the place.”
M. de Guermantes returned, and was presently joined by his wife, all ready now for the evening, tall and proud in a gown of red satin the skirt of which was bordered with spangles. She had in her hair a long ostrich feather dyed purple, and over her shoulders a tulle scarf of the same red as her dress. “How nice it is to have one’s hat lined with leather,” said the Duchess, whom nothing escaped. “However, with you, Charles, everything is always charming, whether it’s what you wear or what you say, what you read or what you do.” Swann meanwhile, without apparently listening, was considering the Duchess as he would have studied the canvas of a master, and then sought her gaze, making with his lips the grimace which implies: “The devil!” Mme. de Guermantes rippled with laughter. “So my clothes please you? I’m delighted. But I must say that they don’t please me much,” she went on with a sulking air. “Good Lord, what a bore it is to have to dress up and go out when one would ever so much rather stay at home!” “What magnificent rubies!” “Ah! my dear Charles, at least one can see that you know what you’re talking about, you’re not like that brute Monserfeuil who asked me if they were real. I must say that I’ve never seen anything quite like them. They were a present from the Grand Duchess. They’re a little too large for my liking, a little too like claret glasses filled to the brim, but I’ve put them on because we shall be seeing the Grand Duchess this evening at Marie-Gilbert’s,” added Mme. de Guermantes, never suspecting that this assertion destroyed the force of those previously made by the Duke. “What’s on at the Princess’s?” inquired Swann. “Practically nothing,” the Duke hastened to reply, the question having made him think that Swann was not invited. “What’s that, Basin? When all the highways and hedgerows have been scoured? It will be a deathly crush. What will be pretty, though,” she went on, looking wistfully at Swann, “if the storm I can feel in the air now doesn’t break, will be those marvellous gardens. You know them, of course. I was there a month ago, at the time when the lilacs were in flower, you can’t have any idea how lovely they were. And then the fountain, really, it’s Versailles in Paris.” “What sort of person is the Princess?” I asked. “Why, you know quite well, you’ve seen her here, she’s as beautiful as the day, also rather an idiot. Very nice, in spite of all her Germanic high-and-mightiness, full of good nature and stupid mistakes.” Swann was too subtle not to perceive that the Duchess, in this speech, was trying to show the “Guermantes wit,” and at no great cost to herself, for she was only serving up in a less perfect form an old saying of her own. Nevertheless, to prove to the Duchess that he appreciated her intention to be, and as though she had really succeeded in being funny, he smiled with a slightly forced air, causing me by this particular form of insincerity the same feeling of awkwardness that used to disturb me long ago when I heard my parents discussing with M. Vinteuil the corruption of certain sections of society (when they knew very well that a corruption far greater sat enthroned at Montjouvain), Legrandin colouring his utterances for the benefit of fools, choosing delicate epithets which he knew perfectly well would not be understood by a rich or smart but illiterate public. “Come now, Oriane, what on earth are you saying?” broke in M. de Guermantes. “Marie a fool? Why, she has read everything, she’s as musical as a fiddle.” “But, my poor little Basin, you’re as innocent as a newborn babe. As if one could not be all that, and rather an idiot as well. Idiot is too strong a word; no, she’s in the clouds, she’s Hesse-Darmstadt, Holy Roman Empire, and wa-wa-wa. Her pronunciation alone makes me tired. But I quite admit that she’s a charming looney. Simply the idea of stepping down from her German throne to go and marry, in the most middle-class way, a private citizen. It is true that she chose him! Yes, it’s quite true,” she went on, turning to me, “you don’t know Gilbert. Let me give you an idea of him, he took to his bed once because I had left a card on Mme. Carnot. … But, my little Charles,” said the Duchess, changing the conversation when she saw that the story of the card left on the Carnots appeared to irritate M. de Guermantes, “you know, you’ve never sent me that photograph of our Knights of Rhodes, whom I’ve learned to love through you, and I am so anxious to make their acquaintance.” The Duke meanwhile had not taken his eyes from his wife’s face. “Oriane, you might at least tell the story properly and not cut out half. I ought to explain,” he corrected, addressing Swann, “that the British Ambassadress at that time, who was a very worthy woman, but lived rather in the moon and was in the habit of making up these odd combinations, conceived the distinctly quaint idea of inviting us with the President and his wife. We were—Oriane herself was rather surprised, especially as the Ambassadress knew quite enough of the people we knew not to invite us, of all things, to so ill-assorted a gathering. There was a Minister there who is a swindler, however I pass over all that, we had not been warned in time, were caught in the trap, and, I’m bound to admit, all these people behaved most civilly to us. Only, once was enough. Mme. de Guermantes, who does not often do me the honour of consulting me, felt it incumbent upon her to leave a card in the course of the following week at the Élysée. Gilbert may perhaps have gone rather far in regarding it as a stain upon our name. But it must not be forgotten that, politics apart, M. Carnot, who for that matter filled his post quite adequately, was the grandson of a member of the Revolutionary Tribunal which caused the death of eleven of our people in a single day.” “In that case, Basin, why did you go every week to dine at Chantilly? The Duc d’Aumale was just as much the grandson of a member of the Revolutionary Tribunal, with this difference, that Carnot was a brave man and Philippe Egalité a wretched scoundrel.” “Excuse my interrupting you to explain that I did send the photograph,” said Swann. “I can’t understand how it hasn’t reached you.” “It doesn’t altogether surprise me,” said the Duchess, “my servants tell me only what they think fit. They probably do not approve of the Order of Saint John.” And she rang the bell. “You know, Oriane, that when I used to go to Chantilly it was without enthusiasm.” “Without enthusiasm, but with a nightshirt in a bag, in case the Prince asked you to stay, which for that matter he very rarely did, being a perfect cad like all the Orléans lot. Do you know who else are to be dining at Mme. de Saint-Euverte’s?” Mme. de Guermantes asked her husband. “Besides the people you know already, she’s asked at the last moment King Theodosius’s brother.” At these tidings the Duchess’s features breathed contentment and her speech boredom. “Oh, good heavens, more princes!” “But that one is well-mannered and intelligent,” Swann suggested. “Not altogether, though,” replied the Duchess, apparently seeking for words that would give more novelty to the thought expressed. “Have you ever noticed with princes that the best-mannered among them are not really well-mannered? They must always have an opinion about everything. Then, as they have none of their own, they spend the first half of their lives asking us ours and the other half serving it up to us secondhand. They positively must be able to say that one piece has been well played and the next not so well. When there is no difference. Listen, this little Theodosius junior (I forget his name) asked me what one called an orchestral motif. I replied,” said the Duchess, her eyes sparkling while a laugh broke from her beautiful red lips. “ ‘One calls it an orchestral motif.’ I don’t think he was any too well pleased, really. Oh, my dear Charles,” she went on, “what a bore it can be, dining out. There are evenings when one would sooner die! It is true that dying may be perhaps just as great a bore, because we don’t know what it’s like.” A servant appeared. It was the young lover who used to have trouble with the porter, until the Duchess, in her kindness of heart, brought about an apparent peace between them. “Am I to go up this evening to inquire for M. le Marquis d’Osmond?” he asked. “Most certainly not, nothing before tomorrow morning. In fact I don’t want you to remain in the house tonight. The only thing that will happen will be that his footman, who knows you, will come to you with the latest report and send you out after us. Get off, go anywhere you like, have a woman, sleep out, but I don’t want to see you here before tomorrow morning.” An immense joy overflowed from the footman’s face. He would at last be able to spend long hours with his ladylove, whom he had practically ceased to see ever since, after a final scene with the porter, the Duchess had considerately explained to him that it would be better, to avoid further conflicts, if he did not go out at all. He floated, at the thought of having an evening free at last, in a happiness which the Duchess saw and guessed its reason. She felt, so to speak, a tightening of the heart and an itching in all her limbs at the sight of this happiness which an amorous couple were snatching behind her back, concealing themselves from her, which left her irritated and jealous. “No, Basin, let him stay here; I say, he’s not to stir out of the house.” “But, Oriane, that’s absurd, the house is crammed with servants, and you have the costumier’s people coming as well at twelve to dress us for this show. There’s absolutely nothing for him to do, and he’s the only one who’s a friend of Mama’s footman; I would a thousand times rather get him right away from the house.” “Listen, Basin, let me do what I want, I shall have a message for him to take in the evening, as it happens, I can’t tell yet at what time. In any case you’re not to go out of the house for a single instant, do you hear?” she said to the despairing footman. If there were continual quarrels, and if servants did not stay long with the Duchess, the person to whose charge this guerrilla warfare was to be laid was indeed irremovable, but it was not the porter; no doubt for the rougher tasks, for the martyrdoms that it was more tiring to inflict, for the quarrels which ended in blows, the Duchess entrusted the heavier instruments to him; but even then he played his part without the least suspicion that he had been cast for it. Like the household servants, he admired the Duchess for her kindness of heart; and footmen of little discernment who came back, after leaving her service, to visit Françoise used to say that the Duke’s house would have been the finest “place” in Paris if it had not been for the porter’s lodge. The Duchess “played” the lodge on them, just as at different times clericalism, freemasonry, the Jewish peril have been played on the public. Another footman came into the room. “Why have not they brought up the package that M. Swann sent here? And, by the way (you’ve heard, Charles, that Mama is seriously ill?), Jules went up to inquire for news of M. le Marquis d’Osmond: has he come back yet?” “He’s just come this instant, M. le Duc. They’re waiting from one moment to the next for M. le Marquis to pass away.” “Ah! He’s alive!” exclaimed the Duke with a sigh of relief. “That’s all right, that’s all right: sold again, Satan! While there’s life there’s hope,” the Duke announced to us with a joyful air. “They’ve been talking about him as though he were dead and buried. In a week from now he’ll be fitter than I am.” “It’s the Doctors who said that he wouldn’t last out the evening. One of them wanted to call again during the night. The head one said it was no use. M. le Marquis would be dead by then; they’ve only kept him alive by injecting him with camphorated oil.” “Hold your tongue, you damned fool,” cried the Duke in a paroxysm of rage. “Who the devil asked you to say all that? You haven’t understood a word of what they told you.” “It wasn’t me they told, it was Jules.” “Will you hold your tongue!” roared the Duke, and, turning to Swann, “What a blessing he’s still alive! He will regain his strength gradually, don’t you know. Still alive, after being in such a critical state, that in itself is an excellent sign. One mustn’t expect everything at once. It can’t be at all unpleasant, a little injection of camphorated oil.” He rubbed his hands. “He’s alive; what more could anyone want? After going through all that he’s gone through, it’s a great step forward. Upon my word, I envy him having such a temperament. Ah! these invalids, you know, people do all sorts of little things for them that they don’t do for us. Now today there was a devil of a cook who sent me up a leg of mutton with béarnaise sauce—it was done to a turn, I must admit, but just for that very reason I took so much of it that it’s still lying on my stomach. However, that doesn’t make people come to inquire for me as they do for dear Amanien. We do too much inquiring. It only tires him. We must let him have room to breathe. They’re killing the poor fellow by sending round to him all the time.” “Well,” said the Duchess to the footman as he was leaving the room, “I gave orders for the envelope containing a photograph which M. Swann sent me to be brought up here.” “Madame la Duchesse, it is so large that I didn’t know if I could get it through the door. We have left it in the hall. Does Madame la Duchesse wish me to bring it up?”
“Oh, in that case, no; they ought to have told me, but if it’s so big I shall see it in a moment when I come downstairs.” “I forgot to tell Mme. la Duchesse that Mme. la Comtesse Molé left a card this morning for Mme. la Duchesse.” “What, this morning?” said the Duchess with an air of disapproval, feeling that so young a woman ought not to take the liberty of leaving cards in the morning. “About ten o’clock, Madame la Duchesse.” “Show me the cards.” “In any case, Oriane, when you say that it was a funny idea on Marie’s part to marry Gilbert,” went on the Duke, reverting to the original topic of conversation, “it is you who have an odd way of writing history. If either of them was a fool, it was Gilbert, for having married of all people a woman so closely related to the King of the Belgians, who has usurped the name of Brabant which belongs to us. To put it briefly, we are of the same blood as the Hesses, and of the elder branch. It is always stupid to talk about oneself,” he apologised to me, “but after all, whenever we have been not only at Darmstadt, but even at Cassel and all over Electoral Hesse, the Landgraves have always, all of them, been most courteous in giving us precedence as being of the elder branch.” “But really, Basin, you don’t mean to tell me that a person who was a Major in every regiment in her country, who had been engaged to the King of Sweden.” “Oriane, that is too much; anyone would think that you didn’t know that the King of Sweden’s grandfather was tilling the soil at Pau when we had been ruling the roost for nine hundred years throughout the whole of Europe.” “That doesn’t alter the fact that if somebody were to say in the street: ‘Hallo, there’s the King of Sweden,’ everyone would at once rush to see him as far as the Place de la Concorde, and if he said: ‘There’s M. de Guermantes,’ nobody would know who M. de Guermantes was.” “What an argument!” “Besides, I never can understand how, once the title of Duke of Brabant has passed to the Belgian Royal Family, you can continue to claim it.”
The footman returned with the Comtesse Molé’s card, or rather what she had left in place of a card. Alleging that she had none on her, she had taken from her pocket a letter addressed to herself, and keeping the contents had handed in the envelope which bore the inscription: “La Comtesse Molé.” As the envelope was rather large, following the fashion in notepaper which prevailed that year, this manuscript “card” was almost twice the size of an ordinary visiting card. “That is what people call Mme. Molé’s ‘simplicity,’ ” said the Duchess ironically. “She wants to make us think that she had no cards on her, and to show her originality. But we know all about that, don’t we, my little Charles, we are quite old enough and quite original enough ourselves to see through the tricks of a little lady who has only been going about for four years. She is charming, but she doesn’t seem to me, all the same, to be quite ‘big’ enough to imagine that she can take the world by surprise with so little effort as merely leaving an envelope instead of a card and leaving it at ten o’clock in the morning. Her old mother mouse will show her that she knows a thing or two about that.” Swann could not help smiling at the thought that the Duchess, who was, incidentally, a trifle jealous of Mme. de Molé’s success, would find it quite in accordance with the “Guermantes wit” to make some impertinent retort to her visitor. “So far as the title of Duc de Brabant is concerned, I’ve told you a hundred times, Oriane …” the Duke continued, but the Duchess, without listening, cut him short. “But, my little Charles, I’m longing to see your photograph.” “Ah! Extinctor draconis latrator Anubis,” said Swann. “Yes, it was so charming what you said about that when you were comparing the Saint George at Venice. But I don’t understand: why Anubis?” “What’s the one like who was an ancestor of Babal?” asked M. de Guermantes. “You want to see his bauble?” retorted his wife, dryly, to show that she herself scorned the pun. “I want to see them all,” she added. “Listen, Charles, let us wait downstairs till the carriage comes,” said the Duke; “you can pay your call on us in the hall, because my wife won’t let us have any peace until she’s seen your photograph. I am less impatient, I must say,” he added with a satisfied air. “I am not easily moved myself, but she would see us all dead rather than miss it.” “I am entirely of your opinion, Basin,” said the Duchess, “let us go into the hall; we shall at least know why we have come down from your study, while we shall never know how we have come down from the Counts of Brabant.” “I’ve told you a hundred times how the title came into the House of Hesse,” said the Duke (while we were going downstairs to look at the photograph, and I thought of those that Swann used to bring me at Combray), “through the marriage of a Brabant in 1241 with the daughter of the last Landgrave of Thuringia and Hesse, so that really it is the title of Prince of Hesse that came to the House of Brabant rather than that of Duke of Brabant to the House of Hesse. You will remember that our battle-cry was that of the Dukes of Brabant: ‘Limbourg to her conqueror!’ until we exchanged the arms of Brabant for those of Guermantes, in which I think myself that we were wrong, and the example of the Gramonts will not make me change my opinion.” “But,” replied Mme. de Guermantes, “as it is the King of the Belgians who is the conqueror. … Besides the Belgian Crown Prince calls himself Duc de Brabant.” “But, my dear child, your argument will not hold water for a moment. You know as well as I do that there are titles of pretension which can perfectly well exist even if the territory is occupied by usurpers. For instance, the King of Spain describes himself equally as Duke of Brabant, claiming in virtue of a possession less ancient than ours, but more ancient than that of the King of the Belgians. He calls himself also Duke of Burgundy, King of the Indies Occidental and Oriental, and Duke of Milan. Well, he is no more in possession of Burgundy, the Indies or Brabant than I possess Brabant myself, or the Prince of Hesse either, for that matter. The King of Spain likewise proclaims himself King of Jerusalem, as does the Austrian Emperor, and Jerusalem belongs to neither one nor the other.” He stopped for a moment with an awkward feeling that the mention of Jerusalem might have embarrassed Swann, in view of “current events,” but only went on more rapidly: “What you said just now might be said of anyone. We were at one time Dukes of Aumale, a duchy that has passed as regularly to the House of France as Joinville and Chevreuse have to the House of Albert. We make no more claim to those titles than to that of Marquis de Noirmoutiers, which was at one time ours, and became perfectly regularly the appanage of the House of La Trémoïlle, but because certain cessions are valid, it does not follow that they all are. For instance,” he went on, turning to me, “my sister-in-law’s son bears the title of Prince d’Agrigente, which comes to us from Joan the Mad, as that of Prince de Tarente comes to the La Trémoïlles. Well, Napoleon went and gave this title of Tarente to a soldier, who may have been admirable in the ranks, but in doing so the Emperor was disposing of what belonged to him even less than Napoleon III when he created a Duc de Montmorency, since Périgord had at least a mother who was a Montmorency, while the Tarente of Napoleon I had no more Tarente about him than Napoleon’s wish that he should become so. That did not prevent Chaix d’Est-Ange, alluding to our uncle Condé, from asking the Procureur Impérial if he had picked up the title of Duc de Montmorency in the moat of Vincennes.”
“Listen, Basin, I ask for nothing better than to follow you to the ditches of Vincennes, or even to Taranto. And that reminds me, Charles, of what I was going to say to you when you were telling me about your Saint George at Venice. We have an idea, Basin and I, of spending next spring in Italy and Sicily. If you were to come with us, just think what a difference it would make! I’m not thinking only of the pleasure of seeing you, but imagine, after all you’ve told me so often about the remains of the Norman Conquest and of ancient history, imagine what a trip like that would become if you came with us! I mean to say that even Basin—what am I saying, Gilbert—would benefit by it, because I feel that even his claims to the throne of Naples and all that sort of thing would interest me if they were explained by you in old romanesque churches in little villages perched on hills like primitive paintings. But now we’re going to look at your photograph. Open the envelope,” said the Duchess to a footman. “Please, Oriane, not this evening; you can look at it tomorrow,” implored the Duke, who had already been making signs of alarm to me on seeing the huge size of the photograph. “But I like to look at it with Charles,” said the Duchess, with a smile at once artificially concupiscent and psychologically subtle, for in her desire to be friendly to Swann she spoke of the pleasure which she would have in looking at the photograph as though it were the pleasure an invalid feels he would find in eating an orange, or as though she had managed to combine an escapade with her friends with giving information to a biographer as to some of her favourite pursuits. “All right, he will come again to see you, on purpose,” declared the Duke, to whom his wife was obliged to yield. “You can spend three hours in front of it, if that amuses you,” he added ironically. “But where are you going to stick a toy of those dimensions?” “Why, in my room, of course. I like to have it before my eyes.” “Oh, just as you please; if it’s in your room, probably I shall never see it,” said the Duke, without thinking of the revelation he was thus blindly making of the negative character of his conjugal relations. “Very well, you will undo it with the greatest care,” Mme. de Guermantes told the servant, multiplying her instructions out of politeness to Swann. “And see that you don’t crumple the envelope, either.” “So even the envelope has got to be respected!” the Duke murmured to me, raising his eyes to the ceiling. “But, Swann,” he added, “I, who am only a poor married man and thoroughly prosaic, what I wonder at is how on earth you managed to find an envelope that size. Where did you pick it up?” “Oh, at the photographer’s; they’re always sending out things like that. But the man is a fool, for I see he’s written on it ‘The Duchesse de Guermantes,’ without putting ‘Madame.’ ” “I’ll forgive him for that,” said the Duchesse carelessly; then, seeming to be struck by a sudden idea which enlivened her, checked a faint smile; but at once returning to Swann: “Well, you don’t say whether you’re coming to Italy with us?” “Madame, I am really afraid that it will not be possible.” “Indeed! Mme. de Montmorency is more fortunate. You went with her to Venice and Vicenza. She told me that with you one saw things one would never see otherwise, things no one had ever thought of mentioning before, that you showed her things she had never dreamed of, and that even in the well-known things she had been able to appreciate details which without you she might have passed by a dozen times without ever noticing. Obviously, she has been more highly favoured than we are to be. … You will take the big envelope from M. Swann’s photograph,” she said to the servant, “and you will hand it in, from me, this evening at half past ten at Mme. la Comtesse Molé’s.” Swann laughed. “I should like to know, all the same,” Mme. de Guermantes asked him, “how, ten months before the time, you can tell that a thing will be impossible.” “My dear Duchess, I will tell you if you insist upon it, but, first of all, you can see that I am very ill.” “Yes, my little Charles, I don’t think you look at all well. I’m not pleased with your colour, but I’m not asking you to come with me next week, I ask you to come in ten months. In ten months one has time to get oneself cured, you know.” At this point a footman came in to say that the carriage was at the door. “Come, Oriane, to horse,” said the Duke, already pawing the ground with impatience as though he were himself one of the horses that stood waiting outside. “Very well, give me in one word the reason why you can’t come to Italy,” the Duchess put it to Swann as she rose to say goodbye to us. “But, my dear friend, it’s because I shall then have been dead for several months. According to the doctors I consulted last winter, the thing I’ve got—which may, for that matter, carry me off at any moment—won’t in any case leave me more than three or four months to live, and even that is a generous estimate,” replied Swann with a smile, while the footman opened the glazed door of the hall to let the Duchess out. “What’s that you say?” cried the Duchess, stopping for a moment on her way to the carriage, and raising her fine eyes, their melancholy blue clouded by uncertainty. Placed for the first time in her life between two duties as incompatible as getting into her carriage to go out to dinner and showing pity for a man who was about to die, she could find nothing in the code of conventions that indicated the right line to follow, and, not knowing which to choose, felt it better to make a show of not believing that the latter alternative need be seriously considered, so as to follow the first, which demanded of her at the moment less effort, and thought that the best way of settling the conflict would be to deny that any existed. “You’re joking,” she said to Swann. “It would be a joke in charming taste,” replied he ironically. “I don’t know why I am telling you this; I have never said a word to you before about my illness. But as you asked me, and as now I may die at any moment … But whatever I do I mustn’t make you late; you’re dining out, remember,” he added, because he knew that for other people their own social obligations took precedence of the death of a friend, and could put himself in her place by dint of his instinctive politeness. But that of the Duchess enabled her also to perceive in a vague way that the dinner to which she was going must count for less to Swann than his own death. And so, while continuing on her way towards the carriage, she let her shoulders droop, saying: “Don’t worry about our dinner. It’s not of any importance!” But this put the Duke in a bad humour, who exclaimed: “Come, Oriane, don’t stop there chattering like that and exchanging your jeremiads with Swann; you know very well that Mme. de Saint-Euverte insists on sitting down to table at eight o’clock sharp. We must know what you propose to do; the horses have been waiting for a good five minutes. I beg your pardon, Charles,” he went on, turning to Swann, “but it’s ten minutes to eight already. Oriane is always late, and it will take us more than five minutes to get to old Saint-Euverte’s.”
Mme. de Guermantes advanced resolutely towards the carriage and uttered a last farewell to Swann. “You know, we can talk about that another time; I don’t believe a word you’ve been saying, but we must discuss it quietly. I expect they gave you a dreadful fright, come to luncheon, whatever day you like,” (with Mme. de Guermantes things always resolved themselves into luncheons), “you will let me know your day and time,” and, lifting her red skirt, she set her foot on the step. She was just getting into the carriage when, seeing this foot exposed, the Duke cried in a terrifying voice: “Oriane, what have you been thinking of, you wretch? You’ve kept on your black shoes! With a red dress! Go upstairs quick and put on red shoes, or rather,” he said to the footman, “tell the lady’s maid at once to bring down a pair of red shoes.” “But, my dear,” replied the Duchess gently, annoyed to see that Swann, who was leaving the house with me but had stood back to allow the carriage to pass out in front of us, could hear, “since we are late.” “No, no, we have plenty of time. It is only ten to; it won’t take us ten minutes to get to the Parc Monceau. And, after all, what would it matter? If we turned up at half past eight they’d have to wait for us, but you can’t possibly go there in a red dress and black shoes. Besides, we shan’t be the last, I can tell you; the Sassenages are coming, and you know they never arrive before twenty to nine.” The Duchess went up to her room. “Well,” said M. de Guermantes to Swann and myself, “we poor, downtrodden husbands, people laugh at us, but we are of some use all the same. But for me, Oriane would have been going out to dinner in black shoes.” “It’s not unbecoming,” said Swann, “I noticed the black shoes and they didn’t offend me in the least.” “I don’t say you’re wrong,” replied the Duke, “but it looks better to have them to match the dress. Besides, you needn’t worry, she would no sooner have got there than she’d have noticed them, and I should have been obliged to come home and fetch the others. I should have had my dinner at nine o’clock. Goodbye, my children,” he said, thrusting us gently from the door, “get away, before Oriane comes down again. It’s not that she doesn’t like seeing you both. On the contrary, she’s too fond of your company. If she finds you still here she will start talking again, she is tired out already, she’ll reach the dinner-table quite dead. Besides, I tell you frankly, I’m dying of hunger. I had a wretched luncheon this morning when I came from the train. There was the devil of a béarnaise sauce, I admit, but in spite of that I sha’nt be at all sorry, not at all sorry to sit down to dinner. Five minutes to eight! Oh, women, women! She’ll give us both indigestion before tomorrow. She is not nearly as strong as people think.” The Duke felt no compunction at speaking thus of his wife’s ailments and his own to a dying man, for the former interested him more, appeared to him more important. And so it was simply from good breeding and good fellowship that, after politely showing us out, he cried “from off stage,” in a stentorian voice from the porch to Swann, who was already in the courtyard: “You, now, don’t let yourself be taken in by the doctors’ nonsense, damn them. They’re donkeys. You’re as strong as the Pont Neuf. You’ll live to bury us all!”